1987, ISBN: 9780500201022

Edição encadernada

Museum of Modern Art. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible … mais…

Museum of Modern Art. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Museum of Modern Art, 2.5, Chronicle Books. Hardcover. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Chronicle Books, 2.5, Third Millenium Pub Ltd. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Third Millenium Pub Ltd, 2.5, Thames and Hudson Ltd. Very Good. 1987. Soft Cover. 14.9 x 21 Cm 0500201021 Uncreased spine. No ownership marks. Illustrated. 216 pages clean and tight. 157 illustrations, 21 in colour. The works of the Pre-Raphaelites are among the best known and best loved of all English paintings, and yet there has long been a tendency to dismiss them as mere Victorian, and to deny them their proper status as works of art. This pioneering critical history places the movement in its historical setting, relating the individual painters and their art to the larger concerns of nineteenth-century society. Timothy Hilton has been an art critic for the Guardian and Independent on Sunday and has written art history books on Pre-Raphaelitism and Picasso among others. ., Thames and Hudson Ltd, 1987, 3<

1987, ISBN: 9780500201022

Edição encadernada

Michael Joseph, 1984. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in goo… mais…

Michael Joseph, 1984. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1600grams, ISBN:071812488X, Michael Joseph, 1984, 0, Thames and Hudson Ltd. Very Good. 1987. Soft Cover. 14.9 x 21 Cm 0500201021 Uncreased spine. No ownership marks. Illustrated. 216 pages clean and tight. 157 illustrations, 21 in colour. The works of the Pre-Raphaelites are among the best known and best loved of all English paintings, and yet there has long been a tendency to dismiss them as mere Victorian, and to deny them their proper status as works of art. This pioneering critical history places the movement in its historical setting, relating the individual painters and their art to the larger concerns of nineteenth-century society. Timothy Hilton has been an art critic for the Guardian and Independent on Sunday and has written art history books on Pre-Raphaelitism and Picasso among others. ., Thames and Hudson Ltd, 1987, 3<

1995, ISBN: 9780500201022

London: Thames & Hudson. Very Good. 1995. Soft Cover. 8vo 0500201021 World of Art Series. No ownership marks216 pages clean and tight.157 illustrations, 21 in colour. The works of t… mais…

London: Thames & Hudson. Very Good. 1995. Soft Cover. 8vo 0500201021 World of Art Series. No ownership marks216 pages clean and tight.157 illustrations, 21 in colour. The works of the Pre-Raphaelites are among the best known and best loved of all Englih paintings, and yet there has long been a tendency to dismiss them as mere Victoriana, and to deny them their proper status as works of art. This pioneering critical history places the movemçnt in its historical setting, relating the individual painters and their art to the larger concerns of nineteenth-century society. Virtually every major Pre-Raphaelite painting is discussed and illustrated, as well as works by the movement's many minor talents. 'Definitely to be recommended. It is lively, free of cant, highly intelligent and well written; above all it is stimulating' (The Burlington Magazine) ., Thames & Hudson, 1995, 3<

1995, ISBN: 0500201021

[EAN: 9780500201022], Gebraucht, sehr guter Zustand, [PU: Thames & Hudson, London], World of Art Series. No ownership marks216 pages clean and tight.157 illustrations, 21 in colour. The w… mais…

[EAN: 9780500201022], Gebraucht, sehr guter Zustand, [PU: Thames & Hudson, London], World of Art Series. No ownership marks216 pages clean and tight.157 illustrations, 21 in colour. The works of the Pre-Raphaelites are among the best known and best loved of all Englih paintings, and yet there has long been a tendency to dismiss them as mere Victoriana, and to deny them their proper status as works of art. This pioneering critical history places the movemçnt in its historical setting, relating the individual painters and their art to the larger concerns of nineteenth-century society. Virtually every major Pre-Raphaelite painting is discussed and illustrated, as well as works by the movement's many minor talents. 'Definitely to be recommended. It is lively, free of cant, highly intelligent and well written; above all it is stimulating' (The Burlington Magazine) Size: 8vo, Books<