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Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - Middleton Wagner, Anne
livro esgotado
(*)
Middleton Wagner, Anne:

Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - encadernado, livro de bolso

1996, ISBN: 0520206088

ID: 3777679465

[EAN: 9780520206083], Fine, [SC: 3.0], [PU: Berkeley u.a.: Univ. of California Press,], GEORGIA O'KEEFFE, LEE KRASNER, EVA HESSE, KUNSTWISSENSCHAFT, MALEREI, Art|General, Art|History, Art|Individual Artist, Art|History|General, Jacket, XIX; 346 S., Abb. Umschl. berieben. - List of Illustrations Acknowledgments "Sex Differences" -- O'Keeffe's Femininity -- O'Keeffe's Reputation / O'Keeffe's Modernism / O'Keeffe and Stieglitz / Femininity as a Masquerade -- Krasner s Fictions -- Painter, Wife, and Woman / Widow / The Problem of Pollock and Krasner / Viewer / Painting as Autobiography / Eye and Body / Sport of Destiny -- Another Hesse -- Three "Portraits" of Eva Hesse / Three Self-Portraits by Eva Hesse / Art and Life / Not Plath / How to Read Hesse's Journals / A Marriage in the Sixties / The Wound and the Window / The Cancellation of Difference -- Making a Difference to Modernism: An Epilogue -- Appendix -- Notes -- Selected Bibliography // "This is a book," writes Anne Wagner, "about three artists. In particular it concerns the character of their imagery, the paths of their careers, and the ways these were influenced, for good and ill, by one central circumstance: the fact that the artists were women." The artists are Georgia O'Keeffe, Lee Krasner, and Eva Hesse. Their work is linked to three moments in the history of modernism in the United States - the Utopian confidence of the 1920s avant-garde, the grimmer heroics of the New York School, and the all-or-nothing redefinition of art in the 1960s. They belonged profoundly to those moments, and believed that modernist practice offered them ways to make work that would speak directly to their bodily experience, their feelings, and their intellectual ambitions. Modernism for them above all meant abstraction or, better still, the possibility of operating between the figurative and the abstract, in a territory where bodily identities and mental orderings might be radically remade. From a feminist perspective (which is that of this book) certain aspects of this confidence in modernism now seem misplaced. Modernist art, like all other art practices m the twentieth century, was strongly gendered. O'Keeffe, Krasner, and Hesse were offered places withm it as women. If they thought that modernism would let them state for themselves what "as women" might mean, they were over-optimistic. But not wholly misguided. This book is about the battle in these artists' work to seize hold of the means of representation-including the representation of gender and sex. Some of the time the battle was lost. The enemy was well entrenched. But what remains remarkable is how often, against the odds, O'Keeffe, Krasner, and Hesse took charge of modernism's resources and turned them to their ends. These issues had their personal dimension. All three women were married to artists who were male. Find' ing their own artistic voices turned on that fact. For good and ill. The males in question-Alfred Stieglitz, Jackson Pollock, Tom Doyle-were in different ways modernism incarnate. Which means that they were battled with, borrowed from, ventriloquized, travestied, surpassed. Anne Wagner's impassioned and subtle book tells the story of that endless (painful) negotiation,.without having it become a falsely consoling or enraging drama of heroines and villains. ISBN 0520206088 Sprache: Deutsch Gewicht in Gramm: 1550 Originalleinen mit Schutzumschlag.

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Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - Middleton Wagner, Anne
livro esgotado
(*)

Middleton Wagner, Anne:

Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - encadernado, livro de bolso

1996, ISBN: 0520206088

ID: 3777679465

[EAN: 9780520206083], Fine, [PU: Berkeley u.a.: Univ. of California Press,], GEORGIA O'KEEFFE, LEE KRASNER, EVA HESSE, KUNSTWISSENSCHAFT, MALEREI, Art|General, Art|History, Art|Individual Artist, Art|History|General, Jacket, XIX; 346 S., Abb. Umschl. berieben. - List of Illustrations Acknowledgments "Sex Differences" -- O'Keeffe's Femininity -- O'Keeffe's Reputation / O'Keeffe's Modernism / O'Keeffe and Stieglitz / Femininity as a Masquerade -- Krasner s Fictions -- Painter, Wife, and Woman / Widow / The Problem of Pollock and Krasner / Viewer / Painting as Autobiography / Eye and Body / Sport of Destiny -- Another Hesse -- Three "Portraits" of Eva Hesse / Three Self-Portraits by Eva Hesse / Art and Life / Not Plath / How to Read Hesse's Journals / A Marriage in the Sixties / The Wound and the Window / The Cancellation of Difference -- Making a Difference to Modernism: An Epilogue -- Appendix -- Notes -- Selected Bibliography // "This is a book," writes Anne Wagner, "about three artists. In particular it concerns the character of their imagery, the paths of their careers, and the ways these were influenced, for good and ill, by one central circumstance: the fact that the artists were women." The artists are Georgia O'Keeffe, Lee Krasner, and Eva Hesse. Their work is linked to three moments in the history of modernism in the United States - the Utopian confidence of the 1920s avant-garde, the grimmer heroics of the New York School, and the all-or-nothing redefinition of art in the 1960s. They belonged profoundly to those moments, and believed that modernist practice offered them ways to make work that would speak directly to their bodily experience, their feelings, and their intellectual ambitions. Modernism for them above all meant abstraction or, better still, the possibility of operating between the figurative and the abstract, in a territory where bodily identities and mental orderings might be radically remade. From a feminist perspective (which is that of this book) certain aspects of this confidence in modernism now seem misplaced. Modernist art, like all other art practices m the twentieth century, was strongly gendered. O'Keeffe, Krasner, and Hesse were offered places withm it as women. If they thought that modernism would let them state for themselves what "as women" might mean, they were over-optimistic. But not wholly misguided. This book is about the battle in these artists' work to seize hold of the means of representation-including the representation of gender and sex. Some of the time the battle was lost. The enemy was well entrenched. But what remains remarkable is how often, against the odds, O'Keeffe, Krasner, and Hesse took charge of modernism's resources and turned them to their ends. These issues had their personal dimension. All three women were married to artists who were male. Find' ing their own artistic voices turned on that fact. For good and ill. The males in question-Alfred Stieglitz, Jackson Pollock, Tom Doyle-were in different ways modernism incarnate. Which means that they were battled with, borrowed from, ventriloquized, travestied, surpassed. Anne Wagner's impassioned and subtle book tells the story of that endless (painful) negotiation,.without having it become a falsely consoling or enraging drama of heroines and villains. ISBN 0520206088 Sprache: Deutsch Gewicht in Gramm: 1550 Originalleinen mit Schutzumschlag.

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(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - Middleton Wagner, Anne
livro esgotado
(*)
Middleton Wagner, Anne:
Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - livro usado

1996

ISBN: 0520206088

ID: 957964

XIX; 346 S., Abb. Originalleinen mit Schutzumschlag. Umschl. berieben. - List of Illustrations Acknowledgments "Sex Differences" -- O'Keeffe's Femininity -- O'Keeffe's Reputation / O'Keeffe's Modernism / O'Keeffe and Stieglitz / Femininity as a Masquerade -- Krasner s Fictions -- Painter, Wife, and Woman / Widow / The Problem of Pollock and Krasner / Viewer / Painting as Autobiography / Eye and Body / Sport of Destiny -- Another Hesse -- Three "Portraits" of Eva Hesse / Three Self-Portraits by Eva Hesse / Art and Life / Not Plath / How to Read Hesse's Journals / A Marriage in the Sixties / The Wound and the Window / The Cancellation of Difference -- Making a Difference to Modernism: An Epilogue -- Appendix -- Notes -- Selected Bibliography // "This is a book," writes Anne Wagner, "about three artists. In particular it concerns the character of their imagery, the paths of their careers, and the ways these were influenced, for good and ill, by one central circumstance: the fact that the artists were women." The artists are Georgia O'Keeffe, Lee Krasner, and Eva Hesse. Their work is linked to three moments in the history of modernism in the United States - the Utopian confidence of the 1920s avant-garde, the grimmer heroics of the New York School, and the all-or-nothing redefinition of art in the 1960s. They belonged profoundly to those moments, and believed that modernist practice offered them ways to make work that would speak directly to their bodily experience, their feelings, and their intellectual ambitions. Modernism for them above all meant abstraction or, better still, the possibility of operating between the figurative and the abstract, in a territory where bodily identities and mental orderings might be radically remade. From a feminist perspective (which is that of this book) certain aspects of this confidence in modernism now seem misplaced. Modernist art, like all other art practices m the twentieth century, was strongly gendered. O'Keeffe, Krasner, and Hesse were offered places withm it as women. If they thought that modernism would let them state for themselves what "as women" might mean, they were over-optimistic. But not wholly misguided. This book is about the battle in these artists' work to seize hold of the means of representation-including the representation of gender and sex. Some of the time the battle was lost. The enemy was well entrenched. But what remains remarkable is how often, against the odds, O'Keeffe, Krasner, and Hesse took charge of modernism's resources and turned them to their ends. These issues had their personal dimension. All three women were married to artists who were male. Find' ing their own artistic voices turned on that fact. For good and ill. The males in question-Alfred Stieglitz, Jackson Pollock, Tom Doyle-were in different ways modernism incarnate. Which means that they were battled with, borrowed from, ventriloquized, travestied, surpassed. Anne Wagner's impassioned and subtle book tells the story of that endless (painful) negotiation,.without having it become a falsely consoling or enraging drama of heroines and villains. ISBN 0520206088 Versand D: 5,50 EUR Georgia O'Keeffe, Lee Krasner, Eva Hesse, Kunstwissenschaft, Malerei, [PU:Berkeley u.a.: Univ. of California Press,]

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(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O`Keeffe. - Middleton Wagner, Anne
livro esgotado
(*)
Middleton Wagner, Anne:
Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O`Keeffe. - livro usado

1996, ISBN: 0520206088

ID: OR24437746 (957964)

Berkeley u.a, Univ. of California Press, XIX; 346 S., Abb. Originalleinen mit Schutzumschlag. Umschl. berieben. - List of Illustrations Acknowledgments "Sex Differences" -- O`Keeffe`s Femininity -- O`Keeffe`s Reputation / O`Keeffe`s Modernism / O`Keeffe and Stieglitz / Femininity as a Masquerade -- Krasner s Fictions -- Painter, Wife, and Woman / Widow / The Problem of Pollock and Krasner / Viewer / Painting as Autobiography / Eye and Body / Sport of Destiny -- Another Hesse -- Three "Portraits" of Eva Hesse / Three Self-Portraits by Eva Hesse / Art and Life / Not Plath / How to Read Hesse`s Journals / A Marriage in the Sixties / The Wound and the Window / The Cancellation of Difference -- Making a Difference to Modernism: An Epilogue -- Appendix -- Notes -- Selected Bibliography // "This is a book," writes Anne Wagner, "about three artists. In particular it concerns the character of their imagery, the paths of their careers, and the ways these were influenced, for good and ill, by one central circumstance: the fact that the artists were women." The artists are Georgia O`Keeffe, Lee Krasner, and Eva Hesse. Their work is linked to three moments in the history of modernism in the United States - the Utopian confidence of the 1920s avant-garde, the grimmer heroics of the New York School, and the all-or-nothing redefinition of art in the 1960s. They belonged profoundly to those moments, and believed that modernist practice offered them ways to make work that would speak directly to their bodily experience, their feelings, and their intellectual ambitions. Modernism for them above all meant abstraction or, better still, the possibility of operating between the figurative and the abstract, in a territory where bodily identities and mental orderings might be radically remade. From a feminist perspective (which is that of this book) certain aspects of this confidence in modernism now seem misplaced. Modernist art, like all other art practices m the twentieth century, was strongly gendered. O`Keeffe, Krasner, and Hesse were offered places withm it as women. If they thought that modernism would let them state for themselves what "as women" might mean, they were over-optimistic. But not wholly misguided. This book is about the battle in these artists` work to seize hold of the means of representation-including the representation of gender and sex. Some of the time the battle was lost. The enemy was well entrenched. But what remains remarkable is how often, against the odds, O`Keeffe, Krasner, and Hesse took charge of modernism`s resources and turned them to their ends. These issues had their personal dimension. All three women were married to artists who were male. Find` ing their own artistic voices turned on that fact. For good and ill. The males in question-Alfred Stieglitz, Jackson Pollock, Tom Doyle-were in different ways modernism incarnate. Which means that they were battled with, borrowed from, ventriloquized, travestied, surpassed. Anne Wagner`s impassioned and subtle book tells the story of that endless (painful) negotiation,.without having it become a falsely consoling or enraging drama of heroines and villains. ISBN 0520206088Kunst [Georgia O`Keeffe, Lee Krasner, Eva Hesse, Kunstwissenschaft, Malerei] 1996, [PU: University of California Press]

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(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - Middleton Wagner, Anne
livro esgotado
(*)
Middleton Wagner, Anne:
Three Artists (Three Women). Modernism and the Art of Hesse, Krasner and O'Keeffe. - livro usado

1996, ISBN: 9780520206083

[PU: Berkeley u.a.: Univ. of California Press], XIX 346 S., Abb. Originalleinen mit Schutzumschlag. Umschl. berieben. - List of Illustrations Acknowledgments "Sex Differences" -- O'Keeffe's Femininity -- O'Keeffe's Reputation / O'Keeffe's Modernism / O'Keeffe and Stieglitz / Femininity as a Masquerade -- Krasner s Fictions -- Painter, Wife, and Woman / Widow / The Problem of Pollock and Krasner / Viewer / Painting as Autobiography / Eye and Body / Sport of Destiny -- Another Hesse -- Three "Portraits" of Eva Hesse / Three Self-Portraits by Eva Hesse / Art and Life / Not Plath / How to Read Hesse's Journals / A Marriage in the Sixties / The Wound and the Window / The Cancellation of Difference -- Making a Difference to Modernism: An Epilogue -- Appendix -- Notes -- Selected Bibliography // "This is a book," writes Anne Wagner, "about three artists. In particular it concerns the character of their imagery, the paths of their careers, and the ways these were influenced, for good and ill, by one central circumstance: the fact that the artists were women." The artists are Georgia O'Keeffe, Lee Krasner, and Eva Hesse. Their work is linked to three moments in the history of modernism in the United States - the Utopian confidence of the 1920s avant-garde, the grimmer heroics of the New York School, and the all-or-nothing redefinition of art in the 1960s. They belonged profoundly to those moments, and believed that modernist practice offered them ways to make work that would speak directly to their bodily experience, their feelings, and their intellectual ambitions. Modernism for them above all meant abstraction or, better still, the possibility of operating between the figurative and the abstract, in a territory where bodily identities and mental orderings might be radically remade. From a feminist perspective (which is that of this book) certain aspects of this confidence in modernism now seem misplaced. Modernist art, like all other art practices m the twentieth century, was strongly gendered. O'Keeffe, Krasner, and Hesse were offered places withm it as women. If they thought that modernism would let them state for themselves what "as women" might mean, they were over-optimistic. But not wholly misguided. This book is about the battle in these artists' work to seize hold of the means of representation-including the representation of gender and sex. Some of the time the battle was lost. The enemy was well entrenched. But what remains remarkable is how often, against the odds, O'Keeffe, Krasner, and Hesse took charge of modernism's resources and turned them to their ends. These issues had their personal dimension. All three women were married to artists who were male. Find' ing their own artistic voices turned on that fact. For good and ill. The males in question-Alfred Stieglitz, Jackson Pollock, Tom Doyle-were in different ways modernism incarnate. Which means that they were battled with, borrowed from, ventriloquized, travestied, surpassed. Anne Wagner's impassioned and subtle book tells the story of that endless (painful) negotiation,.without having it become a falsely consoling or enraging drama of heroines and villains. ISBN 0520206088, [SC: 4.00], gebraucht sehr gut, gewerbliches Angebot, [GW: 1550g]

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Pormenores referentes ao livro
Three Artists (Three Women): Modernism and the Art of Hesse, Krasner and O'Keeffe (Ahmanson-Murphy Fine Arts Book)
Autor:

Anne Middleton Wagner

Título:

Three Artists (Three Women): Modernism and the Art of Hesse, Krasner and O'Keeffe (Ahmanson-Murphy Fine Arts Book)

Número ISBN:

0520206088

Dados detalhados do livro - Three Artists (Three Women): Modernism and the Art of Hesse, Krasner and O'Keeffe (Ahmanson-Murphy Fine Arts Book)


EAN (ISBN-13): 9780520206083
ISBN (ISBN-10): 0520206088
Livro de capa dura
Ano de publicação: 1996
Editor/Editora: Berkeley u.a.: Univ. of California Press,

Livro na base de dados desde 12.07.2007 17:29:21
Livro encontrado pela última vez no 02.07.2016 16:30:47
Número ISBN/EAN: 0520206088

Número ISBN - Ortografia alternativa:
0-520-20608-8, 978-0-520-20608-3

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