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Richard Strauss and His World - Gilliam, Bryan (ed.)
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Richard Strauss and His World - Livro de bolso

ISBN: 9780691027623

[ED: Taschenbuch], [PU: PRINCETON UNIV PR], Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold. Review: ... This book of essays, letters, memoirs, and criticism is a most cordial study of Strauss and his music.... This is a significant book that gives readers a very positive assessment of a very important 20th-century composer. (Choice) Table of contents: TR Preface and Acknowledgments TD ALIGN="RIGHT" TR Pt. I Essays TD ALIGN="RIGHT" TR The Enigmas of Richard Strauss: A Revisionist View TD ALIGN="RIGHT"3 TR Daphne's Transformation TD ALIGN="RIGHT"33 TR Structure and Program in Macbeth: A Proposed Reading of Strauss's First Symphonic Poem TD ALIGN="RIGHT"67 TR Ruhe, meine Seele! and the Letzte Orchesterlieder TD ALIGN="RIGHT"90 TR "Lass Er die Musi, wo sie ist": Pitch Specificity in Strauss TD ALIGN="RIGHT"138 TR Richard Strauss and the Question TD ALIGN="RIGHT"164 TR Pt. II Letters TD ALIGN="RIGHT" TR Selections from the Strauss-Thuille Correspondence TD ALIGN="RIGHT" TR A Glimpse of Strauss during His Formative Years TD ALIGN="RIGHT"193 TR Selections from the Strauss-Gregor Correspondence: The Genesis of Daphne TD ALIGN="RIGHT"237 TR Pt. III Memoirs TD ALIGN="RIGHT" TR Richard Strauss: The Man TD ALIGN="RIGHT"273 TR Richard Strauss: Seer and Idealist TD ALIGN="RIGHT"280 TR Richard Strauss at Eighty TD ALIGN="RIGHT"287 TR The Last Visit with Richard Strauss TD ALIGN="RIGHT"295 TR Pt. IV Criticism and Reception TD ALIGN="RIGHT" TR On the Tone Poems of Richard Strauss TD ALIGN="RIGHT"305 TR Strauss and the Viennese Critics (1896-1924): Reviews by Gustav Schoenaich, Robert Hirschfeld, Guido Adler, Max Kalbeck, Julius Korngold, and Karl Klaus TD ALIGN="RIGHT"311 TR Elektra: A Study by Paul Bekker TD ALIGN="RIGHT"372 TR Richard Strauss at Sixty TD ALIGN="RIGHT"406 TR Index of Names and Compositions TD ALIGN="RIGHT"417 TR List of Contributors TD ALIGN="RIGHT"425 444 pages Versandfertig in über 4 Wochen, Neuware, gewerbliches Angebot

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Richard Strauss And His World
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Richard Strauss And His World - novo libro

ISBN: 9780691027623

ID: 6275006

Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works-including tone poems, lieder, and operas-and brings together letters, memoirs, and criticism Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works-including tone poems, lieder, and operas-and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra; Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and USE of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold. Books, Music, Stage and Screen~~Music~~Music: Styles & Genres, Richard Strauss And His World~~Book~~9780691027623, , , , , , , , , ,, [PU: Princeton University Press]

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Richard Strauss And His World: Richard Strauss & His World
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Richard Strauss And His World: Richard Strauss & His World - novo libro

ISBN: 9780691027623

ID: 978069102762

Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss''s musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer''s life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer''s stylistic about face after Elektra; Derrick Puffett reinforces the argument for Strauss''s artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer''s political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann''s moving account of his last visit with Strauss shortly before the composer''s death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold. Books, Entertainment, Music, Classical and Opera, Classical, Richard Strauss And His World: Richard Strauss & His World Books>Entertainment>Music>Classical and Opera>Classical, Princeton University Press

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Richard Strauss and His World - Gilliam, Bryan
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Gilliam, Bryan:
Richard Strauss and His World - livro usado

ISBN: 9780691027623

ID: 2545563

Strongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. In the essays Leon Botstein contradicts the notion of the composer's stylistic "about face" after Elektra; Derrick Puffett reinforces the argument for Strauss's artistic consistency by tracing in the tone poems and operas the phenomenon of pitch specificity; James Hepokoski establishes Strauss as an early modernist in an examination of Macbeth; Michael Steinberg probes the composer's political sensibility as expressed in the 1930s through his music and use of such texts as Friedenstag and Daphne; Bryan Gilliam discusses the genesis of both the text and the music in the final scene of Daphne; Timothy Jackson in his thorough source study argues for a new addition to the so-called Four Last Songs. Among the correspondence are previously untranslated letters between Strauss and his post-Hofmannsthal librettist, Joseph Gregor. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold. Richard Strauss and His World Gilliam, Bryan, Princeton University Press

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Richard Strauss and His World - Bryan Gilliam
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Bryan Gilliam:
Richard Strauss and His World - livro usado

1992, ISBN: 0691027625

ID: 3678939

A valuable late-summer festival at Bard College in upstate New York, devoted each year to a different composer, has produced several noteworthy collections of papers. This volume on Strauss appeared just before the 1992 festival. When the book was first published, Timothy L. Jackson's thoughts on the Four Last Songs got the most attention. Jackson argues, quite persuasively, that the four songs were originally five, with the orchestral song "Ruhe, meine Seele!" to be heard before "Im Abendrot." His analysis extends all the way to details of orchestration, but the best proof is in the hearing. Several recordings (such as Jessye Norman's with Kurt Masur) allow listeners to program the songs in this order, and the sequence is revelatory. Elsewhere, Leon Botstein contributes the "keynote address," taking up the odd disjunction of the composer's life versus his music. He demolishes the idea of Strauss having stylistic shifts. (Botstein, as president of Bard College, is known to consider Elektra one of the essential texts for a liberal-arts education.) Michael Steinberg takes on Strauss's behavior during the Nazi era. Like Kirsten Flagstad, Karl Boehm, and Elisabeth Schwarzkopf, Strauss will always be linked to his politics. James Hepokoski offers a look at Macbeth, Strauss's first tone poem. In general, the lesser-known works such as Intermezzo and the Burleske for piano and orchestra come up more than you would expect, with correspondingly l arts and literature,arts music and photography,biographies,composers and musicians,home and garden,history and criticism,music Music, Princeton University Press

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Richard Strauss and His World
Autor:

Gilliam, Bryan (ed.)

Título:

Richard Strauss and His World

Número ISBN:

0691027625

This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life.

Dados detalhados do livro - Richard Strauss and His World


EAN (ISBN-13): 9780691027623
ISBN (ISBN-10): 0691027625
Livro de bolso
Ano de publicação: 1992
Editor/Editora: PRINCETON UNIV PR
440 Páginas
Peso: 0,626 kg
Língua: eng/Englisch

Livro na base de dados desde 03.03.2007 16:24:03
Livro encontrado pela última vez no 07.09.2016 21:23:20
Número ISBN/EAN: 0691027625

Número ISBN - Ortografia alternativa:
0-691-02762-5, 978-0-691-02762-3

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