1999, ISBN: 9780026024303

London: Iris & B.Gerald Cantor Center for Visual Arts at Stanford University in association with Philip Wilson Publishers, 1998. Book. Fine. Hardcover. 4to - over 9¾ - 12"… mais…

London: Iris & B.Gerald Cantor Center for Visual Arts at Stanford University in association with Philip Wilson Publishers, 1998. Book. Fine. Hardcover. 4to - over 9¾ - 12" tall. Blue hardcover with title in silver on spine. Condition: Fine, binding sound, no inscriptions. Dustjacket condition: Fine, with just a hint of shelfwear. 175pp. 12 colour plates and many b/w illustrations. 120 prints by Picasso from the collection of the Norton Simon Museum are presented in this catalogue which was produced to accompany the exhibition held at the Iris & B.Gerald Cantor Center for Visual Arts at Stanford University from January 24 to March 28, 1999 which then toured to the Toledo Museum of Art and thei Norton Simon Museum.., Iris & B.Gerald Cantor Center for Visual Arts at Stanford University in association with Philip Wilson Publishers, 1998, 5, New York: Macmillan Publishing Company. Near Fine in Near Fine dust jacket. 1988. First Edition. Hardcover. xvi, 478 pages; Clean and secure in original binding of navy blue cloth and tan boards; corners sharp, dustjacket bright fresh. Donald Martin Reynolds, Prof. of Art History at Columbia Univ., has written the authoritative guide to New York City s magnificent collection of civic art. From Grant's Tomb & the U.S. Customs House in Manhattan to the fanciful gates of the Bronx Zoo, Brooklyn's Cadman Plaza War Memorial, Staten Island's Hiker Monument & the American Architectural Terra-Cotta Co. in Queens, he traces the development of American sculpture from its European origins to our own times. In doing so, Reynolds deftly chronicles the fascinating & sometimes surprising social history of America, recorded in granite, bronze, & terra cotta. Over 80 individual works & their creators are profiled. Over 100 black & white photographs. Art historian Reynolds here surveys public sculpture in New York City from the mid-18th century to World War II. Organizing his work by sculpture type or theme, e.g., the equestrian monument, the war memorial, and architectural use of terra cotta, he does not attempt to create a comprehensive catalog or a walking tour like Ira J. Bach and Mary Gray's A Guide to Chicago's Public Sculpture (Univ. of Chicago Pr., 1983). Instead, Reynolds provides substantial commentary on the history and style of over 80 individual works and on their creators. The author's 240 original black-and-white photographs enhance the text, and the bibliography is extensive. This informed, insightful history is a highly recommended guide to New York City's exceptionally rich collection of public sculpture. --Douglas G. Birdsall, North Dakota State Univ. Lib., Fargo ., Macmillan Publishing Company, 1988, 4<

1988, ISBN: 9780026024303

New York: Macmillan Publishing Company. Near Fine in Near Fine dust jacket. 1988. First Edition. Hardcover. xvi, 478 pages; Clean and secure in original binding of navy blue cloth and ta… mais…

New York: Macmillan Publishing Company. Near Fine in Near Fine dust jacket. 1988. First Edition. Hardcover. xvi, 478 pages; Clean and secure in original binding of navy blue cloth and tan boards; corners sharp, dustjacket bright fresh. Donald Martin Reynolds, Prof. of Art History at Columbia Univ., has written the authoritative guide to New York City s magnificent collection of civic art. From Grant's Tomb & the U.S. Customs House in Manhattan to the fanciful gates of the Bronx Zoo, Brooklyn's Cadman Plaza War Memorial, Staten Island's Hiker Monument & the American Architectural Terra-Cotta Co. in Queens, he traces the development of American sculpture from its European origins to our own times. In doing so, Reynolds deftly chronicles the fascinating & sometimes surprising social history of America, recorded in granite, bronze, & terra cotta. Over 80 individual works & their creators are profiled. Over 100 black & white photographs. Art historian Reynolds here surveys public sculpture in New York City from the mid-18th century to World War II. Organizing his work by sculpture type or theme, e.g., the equestrian monument, the war memorial, and architectural use of terra cotta, he does not attempt to create a comprehensive catalog or a walking tour like Ira J. Bach and Mary Gray's A Guide to Chicago's Public Sculpture (Univ. of Chicago Pr., 1983). Instead, Reynolds provides substantial commentary on the history and style of over 80 individual works and on their creators. The author's 240 original black-and-white photographs enhance the text, and the bibliography is extensive. This informed, insightful history is a highly recommended guide to New York City's exceptionally rich collection of public sculpture. --Douglas G. Birdsall, North Dakota State Univ. Lib., Fargo ., Macmillan Publishing Company, 1988, 4<

1989, ISBN: 0026024306

[EAN: 9780026024303], Used, very good, [PU: Macmillan Publishing Company, Incorporated, Old Tappan, NJ, U.S.A.], SCULPTURE ART, Jacket, DJ has a few tears, edge wear, creases, scratches, … mais…

[EAN: 9780026024303], Used, very good, [PU: Macmillan Publishing Company, Incorporated, Old Tappan, NJ, U.S.A.], SCULPTURE ART, Jacket, DJ has a few tears, edge wear, creases, scratches, rubbed corners/spine, slightly chipped. Boards have edge wear, rubbed corners/spine. Small remainder marks on edge. No writing in text., Books<