Edgar Allan Poe:Das tragbare Edgar Allan Poe von Edgar Allan Poe (englisch) Taschenbuch Buch
- Livro de bolso ISBN: 9780143039914
The Nile on eBay FREE SHIPPING UK WIDE The Portable Edgar Allan Poe by Edgar Allan Poe Compiles Poe's greatest writings: tales of fantasy, terror, death, revenge, murde… mais…
The Nile on eBay FREE SHIPPING UK WIDE The Portable Edgar Allan Poe by Edgar Allan Poe Compiles Poe's greatest writings: tales of fantasy, terror, death, revenge, murder, and mystery. This volume also offers letters, articles, criticism, visionary poetry, and a selection of random "opinions" on fancy and the imagination, music and poetry, intuition and sundry other topics. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description New to ClassicsThe Portable Edgar Allan Poe compiles Poe's greatest writings- tales of fantasy, terror, death, revenge, murder, and mystery, including "The Pit and the Pendulum," "The Fall of the House of Usher," "The Cask of Amontillado," "The Masque of the Red Death," and "The Murders in the Rue Morgue," the world's first detective story. In addition, this volume offers letters, articles, criticism, visionary poetry, and a selection of random "opinions" on fancy and the imagination, music and poetry, intuition and sundry other topics.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. Author Biography Edgar Allan Poe was born in Boston, USA, in 1809. Poe, short story writer, editor and critic, he is best known for his macabre tales and as the progenitor of the detective story. He died in 1849, in mysterious circumstances, at the age of forty.J. Gerald Kennedyis Boyd Professor of English Emeritus at Louisiana State University and a past president of the Poe Studies Association. His books on Poe include Poe, Death, and the Life of Writing (1987), "The Narrative of Arthur Gordon Pym" and the Abyss of Interpretation (1995), and several edited volumes including A Historical Guide to Edgar Allan Poe (2001), Romancing the Shadow- Poe and Race(2001; with Liliane Weissberg), and Poe and the Remapping of Antebellum Print Culture (2012; with Jerome McGann). His major contribution to American literary studies is Strange Nation- Literary Nationalism and Cultural Conflict in the Age of Poe (2016), written with the support of fellowships by the John Simon Guggenheim Memorial Foundation and the National Endowment for the Humanities. He has also published Imagining Paris- Exile, Writing, and American Identity (1993), and he edited the Penguin Classics edition of The Life of Black Hawk (2008). He has appeared in many Poe documentary films, including The Mystery of Edgar Allan Poe (1994) for the A&E Biography series and Eric Stange's film for the PBS American Masterpiece series, Edgar A. Poe- Buried Alive (2017). Table of Contents The Portable Edgar Allan PoeIntroduction by J. Gerald KennedyChronologyA Note on TextsTalesPredicamentsMS. Found in a Bottle (1832)A Descent into the Maelstrom (1841)The Masque of the Red Death (1842)The Pit and the Pendulum (1842)The Premature Burial (1844)The Facts in the Case of M. Valdemar (1845)BereavementsThe Assignation (1834)Berenice (1835)Morella (1835)Ligeia (1838)The Fall of the House of Usher (1839)Eleonora (1841)The Oval Portrait (1842)AntagonismsMetzengerstein (1832)William Wilson (1839)The Tell-Tale Heart (1843)The Black Cat (1843)The Imp of the Perverse (1845)The Cask of Amontillado (1846)Hop-Frog (1849)MysteriesThe Man of the Crowd (1840)The Murders in the Rue Morgue (1841)The Gold-Bug (1843)The Oblong Box (1844)A Tale of the Ragged Mountains (1844)The Purloined Letter (1844)GrotesqueriesThe Man That Was Used Up (1839)The System of Doctor Tarr and Professor Fether (1845)Some Words with a Mummy (1845)PoemsThe Lake—To—(1827)Sonnet—To Science (1829)Fairy-Land (1829)Introduction (1831)"Alone" (1875)To Helen (1831)The Sleeper (1831)Israfel (1831)The Valley of Unrest (1831)The City in the Sea (1831)Lenore (1843)Sonnet—Silence (1840)Dream-Land (1844)The Raven (1845)Ulalume—A Ballad (1847)The Bells (1849)A Dream within a Dream (1849)For Annie (1849)Eldorado (1849)To My Mother (1849)Annabel Lee (1849)LettersTo John Allan, March 19, 1827To John Allan, December 22, 1828To John Allan, January 3, 1831To John Allan, April 12, 1833To Thomas W. White, April 30, 1835To Maria and Virginia Clemm, August 29, 1835To Philip P. Cooke, September 21, 1839To William E. Burton, June 1, 1840To Joseph Evans Snodgrass, April 1, 1841To Frederick W. Thomas, June 26, 1841To Frederick W. Thomas, February 3, 1842To T. H. Chivers, September 27, 1842To Frederick W. Thomas and Jesse E. Dow, March 16, 1843To James Russell Lowell, March 30, 1844To Maria Clemm, April 7, 1844To James Russell Lowell, July 2, 1844To Evert A. Duyckinck, November 13, 1845To Virginia Poe, June 12, 1846To Philip P. Cooke, August 9, 1846To N. P. Willis, December 30, 1846To Marie L. Shew, January 29, 1847To George W. Eveleth, January 4, 1848To George W. Eveleth, February 29, 1848To Sarah Helen Whitman, October 1, 1848To Annie L. Richmond, November 16, 1848To Frederick W. Thomas, February 14, 1849To Maria Clemm, July 7, 1849To Maria Clemm, September 18, 1849Critical PrinciplesOn Unity of EffectOn Plot in NarrativeOn the Prose TaleOn the Design of FictionThe Object of Poetry (from "Letter to B—")"The Philosophy of Composition"The Effect of Rhyme"The Poetic Principle" (excerpts)American CriticismObservationsLiterary Nationalism"Some Secrets of the Magazine Prison-House"American Literary IndependenceThe Soul and the SelfImagination and InsightPoetical IrritabilityGenius and Proportionate IntellectReason and GovernmentAdaptation and the Plots of GodWorks of GeniusNational Literature and ImitationLanguage and ThoughtMagazine Literature in AmericaThe Name of the NationThe Unwritable BookImaginationArt and the SoulSuperiority and SufferingMatter, Spirit, and Divine WillNotesSelected Bibliography Long Description A fully revised collection of Poes work The first new edition of this landmark anthology since 1945 presents a more complicated, perverse, and culturally engaged Poe. Along with the authors familiar masterworks in poetry and fiction, this new "Portable Poe" includes satirical tales that reflect his critique of American culture. Promotional "Headline" New to Classics Excerpt from Book Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. "''Tis some visitor," I muttered, "tapping at my chamber door -- Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; -- vainly I had sought to borrow From my books surcease of sorrow -- sorrow for the lost Lenore -- For the rare and radiant maiden whom the angels name Lenore -- Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me -- filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, "''Tis some visitor entreating entrance at my chamber door -- Some late visitor entreating entrance at my chamber do∨ -- This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"-- here I opened wide the do∨ -- Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" -- Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. "Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore -- Let my heart be still a moment and this mystery explore; -- ''Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door -- Perched upon a bust of Pallas just above my chamber door -- Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore -- Tell me what thy lordly name is on the Night''s Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning-- little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door -- Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore." But the raven, sitting lonely on the placid bust, spoke only Tha, Penguin Books LTD<
