In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with Wil… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours. Digital Content>E-books>Art,Design & Photography>Artists>Artists, Parkstone International Digital >16<
BarnesandNoble.com
new in stock. Custos de envio:zzgl. Versandkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, plus verzendkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
hive.co.uk
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio Details...
(*) Livro esgotado significa que o livro não está disponível em qualquer uma das plataformas associadas buscamos.
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with Wil… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours. Digital Content>E-books>Art,Design & Photography>Artists>Artists, Parkstone International Digital >16<
new in stock. Custos de envio:zzgl. Versandkosten., mais custos de envio
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, plus verzendkosten., mais custos de envio
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Me… mais…
In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago.In 1907 she enrolled at the Art Students' League in New York City, where she studied with William Merritt Chase.During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz.In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow.In Bement's class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes.They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements.It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction.During the 1920s O'Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George.With Stieglitz's connections in the arts community of New York - from 1923 he organised an O'Keeffe exhibition annually - O'Keeffe's work received a great deal of attention and commanded high prices.She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed "pop psychology".The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries.She taught us there is poetry in nature and beauty in geometry.Georgia O'Keeffe's long lifetime of work shows us new ways to see the world, from her eyes to ours.; PDF; Art & Photography > Art treatments & subjects > Individual artists, art monographs, Parkstone International<
No. 9781780423197. Custos de envio:Instock, Despatched same working day before 3pm, zzgl. Versandkosten., mais custos de envio
1Como algumas plataformas não transmitem condições de envio e estas podem depender do país de entrega, do preço de compra, do peso e tamanho do artigo, de uma possível adesão à plataforma, de uma entrega directa pela plataforma ou através de um terceiro fornecedor (Marketplace), etc., é possível que os custos de envio indicados pelo eurolivro não correspondam aos da plataforma ofertante.
Dados bibliográficos do melhor livro correspondente
Dados detalhados do livro - O'Keeffe Janet Souter Author
EAN (ISBN-13): 9781780423197 ISBN (ISBN-10): 1780423195 Ano de publicação: 2011 Editor/Editora: Parkstone International Digital >16 256 Páginas Língua: eng/Englisch
Livro na base de dados desde 2012-01-10T16:30:27+00:00 (Lisbon) Página de detalhes modificada pela última vez em 2024-03-05T10:51:53+00:00 (Lisbon) Número ISBN/EAN: 9781780423197
Número ISBN - Ortografia alternativa: 1-78042-319-5, 978-1-78042-319-7 Ortografia alternativa e termos de pesquisa relacionados: Autor do livro: gerry souter, janet souter, alfred stieglitz, keeffe stieglitz Título do livro: keeffe
Dados da editora
Autor: Gerry Souter Título: Mega Square; O'Keeffe Editora: Confidential Concepts International - Parkstone Ano de publicação: 2011-07-01 Língua: Inglês 5,95 € (DE) Not available (reason unspecified)
