2013, ISBN: 9783836530880

With 438 illustrations. Brisbane: Edmund Gregory, Government Printer, and London: Queensland Agent-General's Office, 1897 Roy.8vo. xvi,199pp. 23 plates, (4 coloured), folding gene… mais…

With 438 illustrations. Brisbane: Edmund Gregory, Government Printer, and London: Queensland Agent-General's Office, 1897 Roy.8vo. xvi,199pp. 23 plates, (4 coloured), folding genealogical tree, map, biblio., glossary, index. As often issued without the 'ethno-pornography' plate xxiv, however this has been supplied in a facsimile, an excellent bright copy in the publisher's green gilt decorated cloth. We have been selling antiquarian books on Africa, Oceania, archaeology, anthropology, travel and the ancient world for over forty years. All our books are carefully catalogued and they are in excellent condition unless stated in the description. All shipments are fully insured at our expense. All books are carefully packaged in new packaging material and despatched by registered or recorded mail, or by a courier service; the customer is always able to track their shipment. All sales are accompanied by a VAT invoice. Photographs may be supplied if requested.[L], 0, 1898. London, David Nutt, 1898. 15 cm x 22.5 cm. Frontispiece, XXXII, 169 pages. 5 full-page-photographic illustrations. Hardcover [publisher's original tanned cloth] with gilt lettering on spine. Gilt stamp on front board and decorative tooling to boards. Excellent condition with only minor signs of external wear. Deckled edges. Interior bright and clean. [Publications of the Folk-Lore Society - Volume XLI - 1897] Includes, for example, the following: Introduction by Miss Kingsley / How the Nsassi (Gazelle) got Married / A Bakutu who came to Loango to see Nzambi / The Fight between the Two Fetishes, Lifuma and Chimpukela / The Fetish of Chilunga etc. The photographic images show: A Fjort Mother and her Child / A Bakutu who came to Loango to see Nzambi / Climbing a Palm-Tree for Palm-Wine / Funeral Shimbec / Prince Xikaia by the Funeral Car of his Brother, Linguister Francisco (shewing his uncle's body wrapped in cloth, ready for burial and remains of the destroyed shimbec of the deceased [Photographic Example of Sepulchral Culture in Africa - Photographisches Beispiel von Sepulkralkultur in Afrika] Dennett "speaks on the subjects of the Fjorts from a knowledge gained during seventeen years of close association and sympathy with them, and possesses also a thorough knowledge of their language." As trader, Dennett is familiar with those whom he lived among, as "the trader knows his African better than all the other sorts of white men put together.... [and] feels more than other men the fascination of West Africa, in other words that he understands West Africa, and therefore that he is the person most fitted to speak regarding it, and the most valuable collector of facts that the student of the primitive culture in the region can get to act for him." (i-viii) Richard Edward Dennett (1857-1921) worked as an ivory trader in the Lower Congo between 1879 and 1902. In 1886 he drew attention to the brutal treatment of the Congloese through his letters to the Manchester Guardian. Moreover, he also edited a manuscript newspaper called "Congo Mirror" and accused the Congo officials of the murders and atrocities being committed. He was to become an active member of the Congo Reform Association, which sought to improve conditions for indigenous workers. Through his writings he met and frequently communicated with a number of influential people such as Roger Casement, Consul for the British government and journalist Edward Dene Morel, who produced the famous 1903 Congo Report. (Profile on Dennett available from the Royal Albert Memorial Museum and Art Gallery) Dennett also studied the indigenous BaKongo community, recording his observations about their political and material culture. As a result he became involved in the institutions of anthropology and folklore in Britain which were attempting to explain, classify and interpret such cultures. Through examining Dennett's history this research has been able to explore the Congo context, the indigenous society, and those European institutions which collected and interpreted BaKongo collections. (University of Plymouth) The Folk-Lore Society was founded in London in 1878 to study traditional vernacular culture, including traditional music, song, dance and drama, narrative, arts and crafts, customs and belief. The journal began as The Folk-Lore Record in 1878, continued or was restarted as The Folk-Lore Journal, and from 1890 its issues were compiled as volumes entitled "Folk-Lore: A Quarterly Review of Myth, Tradition, Institution, & Custom. Incorporating The Archæological Review and The Folk-Lore Journal". Joseph Jacobs edited the first four annual volumes as the Quarterly Review, succeeded by Alfred Nutt. As the head of David Nutt (publishing house) in the Strand, Alfred Nutt was the publisher from 1890 (Wikipedia), 1898, 0, Taschen, 2013. 1st revised. Hardcover. Very Good/None. Hardcover, 706 pages. Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon and painted on by Salvador Dalí, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stonesall of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new onesmost notably Imanback to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenyas population explosion, which challenged finite resources and stressed animal populationsincluding the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he sawwith diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint. DOMESTIC SHIPPING ONLY. Record # 362172, Taschen, 2013, 3<

2013, ISBN: 9783836530880

[PU: Taschen / Köln, New York 2013], 770 S. 4° geb. Pappeinband Gebundener Pappeinband, 34 x 24 cm, nur sehr geringe Gebrauchsspuren, sehr sauberer und guter Zustand. Verlagstext: Pete… mais…

[PU: Taschen / Köln, New York 2013], 770 S. 4° geb. Pappeinband Gebundener Pappeinband, 34 x 24 cm, nur sehr geringe Gebrauchsspuren, sehr sauberer und guter Zustand. Verlagstext: Peter Beard wurde 1938 in New York geboren und begann schon als junger Mann, Tagebuch zu schreiben und zu fotografieren. Nach seinem Abschluss in Yale entwickelte er ein großes Interesse für Afrika. In den frühen 1960er Jahren arbeitete er im Tsavo Nationalpark in Kenia und dokumentierte den Tod von mehr als 35.000 Elefanten in seinem ersten Buch The End of the Game. 1975 hatte er seine erste Ausstellung in der Blum Helman Galerie; 1977 folgte seine berühmte Installation im New Yorker International Center for Photography, wo er Elefantenskelette, verbrannte Tagebücher, afrikanische Kunstgegenstände, Bücher und persönliche Erinnerungsstücke zeigte. Neben seiner künstlerischen Karriere arbeitete Beard auch als Modefotograf und an Projekten mit Andy Warhol, Andrew Wyeth, Richard Lindner, Terry Southern, Truman Capote und Francis Bacon. 1996 öffnete seine erste große Retrospektive im Centre National de la Photographie in Paris; gefolgt von weiteren in Berlin, London, Toronto, Madrid, Mailand, Tokio und Wien. Heute lebt Peter Beard in New York, Long Island und Kenia.Die Herausgeber:Nejma Beard ist Peter Beards Agentin und Direktorin des Peter Beard Studio. Sie kuratiert Ausstellungen und arbeitet als Artdirektorin für Werbeproduktionen. Sie ist Herausgeberin aller Beard-Publikationen, einschließlich TASCHENs Nachdrucks von Beards wichtigstem Buch, The End of Game (Die letzte Jagd).David Fahey ist Mitbesitzer der Fahey/Klein Galerie in Los Angeles. Im Lauf seiner 31jährigen Karriere war er an der Herstellung von mehr als 45 Büchern über Kunstfotografie beteiligt. Er ist Co-Vizepräsident der Herb Ritts Foundation und sitzt im Beratungsgremium für Fotografie des J. Paul Getty Museum.Die Autoren:Owen Edwards schreibt seit mehr als 30 Jahren über Fotografie, unter anderem für American Photographer, New York Times Magazine, New York Magazine, The Village Voice, Saturday Review, Vogue oder Smithsonian.Steven M. L. Aronson, ein ehemaliger Verleger, ist Schriftsteller und Herausgeber. Er editierte und publizierte Peter Beards Buch Longing for Darkness und schrieb das TV-Special The End of the Game. Er ist der Autor von HYPE und der Co-Autor von Savage Grace.Die Beitragende:Ruth Ansel ist eine bekannte und preisgekrönte Artdirektorin – ihre innovative Arbeit erschien seit den 1960ern in einigen der erfolgreichsten amerikanischen Mode- und Kunstmagazine. Das Ansel Design Studio (gegr. 1992) produzierte internationale Modekampagnen und Bücher mit Fotografen wie Peter Beard, Richard Avedon und Annie Leibovitz., DE, [SC: 10.00], gebraucht; sehr gut, gewerbliches Angebot, [GW: 5100g], Banküberweisung, Internationaler Versand<

2020, ISBN: 9783836530880

Edição encadernada

N.B. OVERSIZE ITEM: Additional shipping applies.Has some corner bumps as photographed, binding is tight. Great copy. Into the wild: Journey into the world of Peter Beard (1938-2020) Phot… mais…

N.B. OVERSIZE ITEM: Additional shipping applies.Has some corner bumps as photographed, binding is tight. Great copy. Into the wild: Journey into the world of Peter Beard (1938-2020) Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon and painted on by Salvador Dalí, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stonesall of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new onesmost notably Imanback to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenya's population explosion, which challenged finite resources and stressed animal populationsincluding the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he sawwith diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint. In 2006 TASCHEN published the book that has come to define his oeuvre, signed by the artist and published in two volumes. It sold out instantly and became a highly sought after collector's item.This is a handsome 1 volume hardcover edition revised by Nejma Beard with new images never published before. Text in English, French, and GermanAbout the Author:The artist: Born in New York City in 1938, Peter Beard began taking photographs and keeping diaries from early childhood. By the time he graduated from Yale University, he had developed a keen interest in Africa. Throughout the 1960s and '70s he worked in Tsavo Park, the Aberdares, and Lake Rudolf in Kenya's northern frontier. He is a constant creator, Beard the chronicler photographs, writes draws, collages and assembles a history of his life experiences and our own. He lives in New York City, Long Island, and Kenya with his wife, Nejma, and daughter, Zara.N.B. OVERSIZE ITEM: Additional shipping applies., Taschen, 2013, 3<

2013, ISBN: 9783836530880

Taschen, 2013. 1st revised. Hardcover. Very Good/None. Hardcover, 706 pages. Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art;… mais…

Taschen, 2013. 1st revised. Hardcover. Very Good/None. Hardcover, 706 pages. Photographer, collector, diarist, and writer of books Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world. He was painted by Francis Bacon and painted on by Salvador Dalí, he made diaries with Andy Warhol and toured with Truman Capote and the Rolling Stonesall of whom are brought to life, literally and figuratively, in his work. As a fashion photographer, he took Vogue stars like Veruschka to Africa and brought new onesmost notably Imanback to the U.S. with him. After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought a piece of land near hers. He witnessed the dawn of Kenyas population explosion, which challenged finite resources and stressed animal populationsincluding the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he sawwith diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings and often swaths of animal blood used as paint. DOMESTIC SHIPPING ONLY. Record # 362172, Taschen, 2013, 3<