2006, ISBN: 9780262524636
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Mitwirkende: Owens, Craig, Mitwirkende: Crimp, Douglas, Mitwirkende: Williamson, Judith, Mitwirkende: Solomon-Godeau, Abigail, MIT Press, Taschenbuch, 222 Seiten, Publiziert: 2006-11-01T0… mais…
2006, ISBN: 9780262524636
Mitwirkende: Owens, Craig, Mitwirkende: Crimp, Douglas, Mitwirkende: Williamson, Judith, Mitwirkende: Solomon-Godeau, Abigail, MIT Press, Taschenbuch, 222 Seiten, Publiziert: 2006-11-01T0… mais…
2006
ISBN: 0262524635
Livro de bolso
[EAN: 9780262524636], Gebraucht, wie neu, [PU: The MIT Press], LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages., Books
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2006, ISBN: 9780262524636
The MIT Press, 11/14/2006. First Edition. paperback. Like New. 6x0x9. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages., The MIT Press, 11/14/2006, 5
2006, ISBN: 0262524635
[EAN: 9780262524636], Gebraucht, sehr guter Zustand, [PU: The MIT Press], Connecting readers with great books since 1972! Used books may not include companion materials, and may have some… mais…
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With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance.
Dados detalhados do livro - Cindy Sherman (October Files Series, 6, Band 6)
EAN (ISBN-13): 9780262524636
ISBN (ISBN-10): 0262524635
Livro de capa dura
Livro de bolso
Ano de publicação: 2006
Editor/Editora: Burton, Johanna, MIT Press
222 Páginas
Peso: 0,490 kg
Língua: eng/Englisch
Livro na base de dados desde 2007-05-31T14:45:12+01:00 (Lisbon)
Página de detalhes modificada pela última vez em 2024-01-23T08:36:01+00:00 (Lisbon)
Número ISBN/EAN: 0262524635
Número ISBN - Ortografia alternativa:
0-262-52463-5, 978-0-262-52463-6
Ortografia alternativa e termos de pesquisa relacionados:
Autor do livro: owens craig, douglas crimp, owen, abigail solomon godeau, sherman cindy, johanna burton, williamson, rosalind krauss, mulvey laura, kaja silverman, norman bryson, douglas baker, craig foster
Título do livro: sherman, the cindy shermans, laura owens, norman foster, october files
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