LAPA Pedro:Joao Penalva, XLIX Biennale Di Venezia Padiglione Portoghese 2001
- Livro de bolso 2001, ISBN: 9789728560201
Edição encadernada
London: Ridinghouse & Arts Council of Wales. Qto., 96 pages, colour illustrated. As new, Fine in a Fine dust jacket. . Fine. Hardcover. 2011., Ridinghouse & Arts Council of Wales, 201… mais…
London: Ridinghouse & Arts Council of Wales. Qto., 96 pages, colour illustrated. As new, Fine in a Fine dust jacket. . Fine. Hardcover. 2011., Ridinghouse & Arts Council of Wales, 2011, 5, Art And Artists, 1966. Soft cover. Good. Nick To Foot Of Spine And Slight Bumping To Bottom Corners., Art And Artists, 1966, 2.5, Vienna: Kunsthistorischen Museums, 1960. First Edition. Paperback. Very Good-. Illustrated by B&w and color illus... 4to - over 93/4" - 12" tall. VG- in wraps 4to c.30pp Focuses on the works of Max Weiler and Rudolph Hoflehner., Kunsthistorischen Museums, 1960, 3, Bern: Bundessamt Fur Kulturpflege. 42 pages, illustrated. The text is in both German and French. A Fine copy. . Fine. Paperback. 1984., Bundessamt Fur Kulturpflege, 1984, 5, Distanz. Used - Like New. Fine. Paperback. 2016. Originally published at $30., Distanz, 5, New York and London: W. W. Norton & Company, Inc., 2009 xix, 287 pages, illustrations; 21 cm. Near fine. Tight, clean copy. Age toning. CONTENTS: The auction; The crit; The fair; The prize; The magazine; The studio visit; The biennale. "The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture." - Publisher.. 1st. Paperback. Very Good. 8vo - over 7¾" - 9¾" tall., W. W. Norton & Company, Inc., 2009, 3, New York and London: W. W. Norton & Company, Inc., 2008 Cloth, xix, 274 pages, illustrations; 22 cm. Near fine. Firm binding, clean inside copy. Gently browsed, clean copy. Dust jacket price-clipped on the front flap. Another copy available. CONTENTS: The auction; The crit; The fair; The prize; The magazine; The studio visit; The biennale. "The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture." - Publisher.. Hardcover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall., W. W. Norton & Company, Inc., 2008, 3, Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1963. Softcover, geillustreerde kartonomslag in kleur, 21x14.5 cm., 91pp., z/w illustraties, gaaf exemplaar. Tekst in Ned., Eng., Frans en Duits. 8 Juni - 30 September 1963., Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1963, 0, Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1961. Softcover, geillustreerde kartonomslag in kleur, 21x14.5 cm., 56pp., 24 z/w illustraties buitentekst, gaaf exemplaar. Tekst in Ned., Eng., Frans en Duits. 15 Juli - 15 Oktober 1961., Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1961, 0, Paris Ministere de la Culture Francaise 1977. Avec agraffes, sous jacquette originale d'editeur, 23.9x19 cm., 12 pp. (non-numerote), 2 illustrations en couleurs et 4 en n/b. Participation belge a la XIVe Biennale de Sao Paulo, 1977, Paris Salon de Mai., Paris Ministere de la Culture Francaise 1977, 0, Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1955. geillustreerde kartonomslag in kleur, 21x14.5 cm., 40pp., talrijke z/w illustraties buitentekst, gaaf exemplaar. 11 Juni - 10 September 1955., Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1955, 0, Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1959. geillustreerde kartonomslag in kleur, 21x14.5 cm., 63pp., 24 z/w illustraties buitentekst, gaaf exemplaar. Tekst in Ned., Eng., Frans en Duits. Mei-September 1959., Antwerpen Stedelijk Openluchtmuseum voor Beeldhouwkunst Middelheim 1959, 0, Lausanne: MuseeCantonal des Beaux-Arts, 1992. Paperback, 19 x 19 cm, 186 pp. Ills.: color illustrations. 15th International Lausanne Biennial. Contemporary Textile Art. Cond.: zeer goed / very good. ISBN: 2882690142. ., MuseeCantonal des Beaux-Arts, 1992, 0, Mlade Leta, 1975. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 21 (sale item)* 281 pp., hardcover, very good in a good only dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country., Mlade Leta, 1975, 0, Antwerp, 1987 95 illustrations; Paperback, sm folio; Wear to head of spine, else near fine., Antwerp, 1987, 0, Biennale of Sydney, 2010. Large 8vo, 352pp, black and white and colour illustrations. A very good paperback copy., Biennale of Sydney, 2010, 3, Szombathelyi Keptar. Very Good. 1990. Paperback. 44 pages; Experience the pleasure of reading and appreciating this actual printed item. It has its own physical history that imbues it with a character lacking in ephemeral electronic renderings. ., Szombathelyi Keptar, 1990, 3, Biennale of Sydney, 1988. 4to, 287pp, with black and white and colour illustrations. A good paperback copy., Biennale of Sydney, 1988, 2.5, Biennale of Sydney. 2012. 4to, 400pp, black & white and colour illustrations. A very good paperback copy., Biennale of Sydney. 2012, 3, Tutti I Musei d'Italia (All the Museums of Italy) by Vittorio SgarbiPublished by Domus, 1984text is in ItalianHardcover5.65 x 9.1 inches, 855 pagesVittorio Umberto Antonio Maria Sgarbi (born 8 May 1952 in Ferrara) is an Italian art critic, art historian, politician, cultural commentator and television personality. He was appointed curator of the Italian Pavilion at the 2011 Venice Biennale. Several times a member of the Italian Parliament, he served also in Milan's municipal government. In 2012, he was removed as Mayor of Salemi by the Ministry of Interior because of Mafia interferences in the village.Vittorio Sgarbi attended the Classical Lyceum "Ludovico Ariosto" of Ferrara and then graduated in Philosophy "cum laude" at the University of Bologna, where he also obtained the specialization in History of Art.His Sgarbi Quotidiani (Daily Rudenesses) TV show during the 1990s was a 15-minute daily discussion of current events. During some of those shows he furiously attacked some Italian judges during the Tangentopoli corruption scandal. This scandal led to great turmoil in Italian politics, with the fall of many traditional parties and the subsequent rise of Silvio Berlusconi, subsequently himself convicted of tax fraud. Sgarbi attacked the use of preventive detention in prison; he declared that many people had been arrested without a proper warrant and that some innocent people had been unjustly accused.Although he has strongly defended the role of Catholicism as a foundation of Italian culture, he defines himself as an atheist. On ethical issues for example, that of euthanasia or in the case of Eluana Englaro, whose life was artificially prolonged by 17 years in a vegetative coma, he sided with the Catholic Church. He has also declared his opposition not just to gay marriage but to marriage in general. He has a younger sister, Elisabetta Sgarbi, an Italian film producer and writer.While he was mayor of the Sicilian city of Salemi, he was removed from his role and the administration of the city got commissioned. Indeed, according to the Minister of Interior Anna Maria Cancellieri, Sgarbi had responsibilities in the infiltration of Mafia in the management of the city, for example through the creation of fake protocols and making the administrative process slower.In November 2017, Sgarbi was chosen by President-elect of Sicily Nello Musumeci as new Regional Assessor of Cultural Heritage.He was re-elected as MP for Forza Italia for the 2018 general election, and was successively elected as Mayor of Sutri later in June of the same year.Currently, he also works as a columnist for il Giornale and as an art critic for Panorama newsmagazine., Domus, 1984, 3, Brendon Bell-Roberts Publishing , 2003. Paperback. Very Good. art southafrica Vol 2, Issue 01, Spring 2003. Publication of 87 pages. Articles on Moshekwa Langa, 50th Venice Biennale, Galley Momo, Brett Bailey, and Usha Seerjarim. Heavy book may require extra postage unless posted within South Africa. The wraps are a little shelf rubbed. Internally, there are no markings or inscriptions, and the pages are immaculately clean and complete. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services., Brendon Bell-Roberts Publishing, 2003, 3, Monte Carlo: Galerie Marisa Del Re. Very Good in Very Good dust jacket. 1989. Hardcover., Galerie Marisa Del Re, 1989, 3, Paris: Galerie Alain de Monbrison, 2002. Good, unmarked, unpaginated, staple-bound paperback with soft creasing to top and bottom corners of booklet, minor rubbing to wraps, and slight wear to head of spine. . Trade Paperback. Good. 4to - over 9¾" - 12" tall., Galerie Alain de Monbrison, 2002, 2.5, New York: Brant Publications, ,2007. first edition . softcover. Very Good. very good - minor wear, Brant Publications, 3, Ministerio de Cultura - Instituto de Arte, 2001. Hardcover. Very Good. light wear to spine top and bottom, no signs of cover wear, clean glossy, pages clean, bright and unmarked, spine tight This Listing Includes The True PHOTO of the book as a picture is worth 1,000 words., Please email me if you need to see more pictures! orders are processed promptly and carefully packaged., Ministerio de Cultura - Instituto de Arte, 2001, 3<
