ISBN: 9780199908851

Some of the most popular works of nineteenth-century music were labeled either "Hungarian" or "Gypsy" in style, including many of the best-known and least-respected of Liszt's composition… mais…

Some of the most popular works of nineteenth-century music were labeled either "Hungarian" or "Gypsy" in style, including many of the best-known and least-respected of Liszt's compositions. In the early twentieth century, Bla Bartk and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartk argued that it should be discarded in favor of a national style based in the "genuine" folk music of the rural peasantry. Between the heyday of the nineteenth-century Hungarian-Gypsy style and its replacement by a new paradigm of "authentic" national style was a vigorous decades-long debate-one little known inside or outside Hungary-over what it meant to be Hungarian, European, and modern. Redefining Hungarian Music from Liszt to Bartk traces the historical process that defined the conventions of Hungarian-Gypsy style. Author Lynn M. Hooker frames her study around the 1911 celebration of Liszt's centennial. In so doing, she analyzes Liszt's problematic role as a Hungarian-born composer and leader of Hungarian art music who spent most of his life outside of Hungary and questioned whether Hungary's national music was more the creation of Hungarians or Roma (Gypsies). The themes of race and nation that emerge in the discussion of Liszt are further developed in an analysis of discourse on Hungarian national music throughout the Hungarian press in the late nineteenth and early twentieth centuries. Showing how the "discovery" of "genuine" folk music by Bartk and Kodly, often depicted as a purely "scientific" matter, responds directly to concerns raised by earlier writers about the "problem of Hungarian music," Hooker argues that the innovations of Bartk and Kodly and their circle are not so much in correcting a flawed concept of the national as in using the idea of national authenticity to open up freedom for composers to explore more stylistic options, including the exploration of modernist musical language. Meticulously researched and elegantly written, Redefining Hungarian Music from Liszt to Bartk is essential reading for musicologists, musicians, and concertgoers alike.; PDF; Music, Stage & Screen > Music > Music: styles & genres > Western "classical" music > Romantic music, Oxford University Press<

ISBN: 9780199908851

In the early twentieth century, Bela Bartok and his circle argued for a new definition of Hungarianness, one which centered around folksong rather than the Hungarian-Gypsy style relied up… mais…

In the early twentieth century, Bela Bartok and his circle argued for a new definition of Hungarianness, one which centered around folksong rather than the Hungarian-Gypsy style relied upon by Franz Liszt and his contemporaries.Redefining Hungarian Music from Liszt to Bartok traces the historical process that defined the conventions of Hungarian-Gypsy style, and reveals through this decades-long debate what it meant to be Hungarian, European, and modern.; EPUB; Music, Stage & Screen > Music > Theory of music & musicology, Oxford University Press<

ISBN: 0199908850

Redefining Hungarian Music from Liszt to Bartók ab 64.49 € als pdf eBook: . Aus dem Bereich: eBooks, Belletristik, Erzählungen, Medien > Bücher, Redefining Hungarian Music from Liszt to B… mais…

Redefining Hungarian Music from Liszt to Bartók ab 64.49 € als pdf eBook: . Aus dem Bereich: eBooks, Belletristik, Erzählungen, Medien > Bücher, Redefining Hungarian Music from Liszt to Bartók - eBook als pdf von Lynn M. Hooker - Oxford University Press - 9780199908851<

2013, ISBN: 9780199908851

eBooks, eBook Download (PDF), [PU: Oxford University Press], Oxford University Press, 2013

2013, ISBN: 9780199908851

eBook Download (PDF), eBooks, [PU: Oxford University Press]