2008, ISBN: 3639096401

Deleuze s film philosophy takes Italian neorealism as. Deleuze emphasizes specific qualities of the. explains why Deleuze sees this as such a pivotal. In turn, Deleuze s philosophy allows… mais…

Deleuze s film philosophy takes Italian neorealism as. Deleuze emphasizes specific qualities of the. explains why Deleuze sees this as such a pivotal. In turn, Deleuze s philosophy allows one to. Rechnung legen wir bei. Italian Dreams: Neorealism and DeleuzeEinbandPaperback / SoftbackAutor(en)Kelso, ThomasVerlagVDM Verlag Dr. MüllerAusgabe2008Formatangaben116 pages; 220 x 150 x 6 mmSpracheengISBN3639096401ISBN-13 / EAN9783639096408PreisEUR 49,00 (inkl. MwSt.)NEUWARE - Tagesaktueller, sicherer und weltweiter Versand. Rechnung legen wir bei.Deleuze s film philosophy takes Italian neorealism asthe inaugural moment of modern cinema: the cinema of thetime-image. Although many see neorealism as innovative in terms of itssocial content, Deleuze emphasizes specific qualities of thecinematic image in neorealist films. Examining four exemplary neorealistfilms by Rossellini (Roma città aperta), De Sica (Ladri dibiciclette), Visconti (Bellissima) and Fellini (Le notti di Cabiria), Kelsoillustrates and explains why Deleuze sees this as such a pivotalmoment for the cinema. In turn, Deleuze s philosophy allows one tosee these films in a new light. From the perspective implied by aphilosophy of becoming, the political and social agendas ofneorealist films are not evaluated according to either their reflection ofgiven historical/social realities or retrospectivejudgements regarding the efficacy of their politics. Instead, the politicaland aesthetic import of the films is shown to be a direct consequence oftheir ability to restructure perception and to revitalize thought,even at the expense of traditional modes of cinematic enunciation.Hinweis: Auflage und/oder Erscheinungsjahr können im Buchkatalog von eBay unter Umständen von unseren Angeboten abweichen. Dies gilt insbesondere wenn eine ISBN durch den Verlag doppelt vergeben wurde. Im Einzelfall bzw. bei Bedarf bitte VOR Bestellung erfragen.Angaben zur Versandzeit stammen aus Standardeinstellung von ebay; Wir verschicken tagesaktuell; Sendungen unter 1 kg werden als Waren-/Büchersendung (Laufzeiten sind leider sehr unterschiedlich zwischen 2 und 14 Werktagen) verschickt, ab 1 Kg erfolgt der Versand über DPD.Falls Sie eine Bestellung dringend bzw. zu einem bestimmten Zeitpunkt benötigen, wählen Sie bitte immer die Versandart PAKETVERSAND (DPD Classic), ansonsten können wir die Lieferzeiten nicht garantieren.Artikel eingestellt mit dem w+h GmbH eBay-ServiceDaten- und Bilderhosting mit freundlicher Unterstützung von Buchfreund. (2021-12-19), Festpreisangebot, [LT: FixedPrice], EAN: 9783639096408, Publikationsname: Italian Dreams Neorealism and Deleuze 6279, Sprache: Englisch, Format: 116 pages; 220 x 150 x 6 mm, Produktart: Paperback / Softback, Anzahl der Seiten: 116 pages, Gewicht: 168g, Fach: Philosophie, 2008<

2008, ISBN: 9783639096408

[ED: Softcover], [PU: VDM Verlag Dr. Müller], Deleuze s film philosophy takes Italian neorealism asthe inaugural moment of modern cinema: the cinema of thetime-image. Although many see ne… mais…

[ED: Softcover], [PU: VDM Verlag Dr. Müller], Deleuze s film philosophy takes Italian neorealism asthe inaugural moment of modern cinema: the cinema of thetime-image. Although many see neorealism as innovative in terms of itssocial content, Deleuze emphasizes specific qualities of thecinematic image in neorealist films. Examining four exemplary neorealistfilms by Rossellini (Roma città aperta), De Sica (Ladri dibiciclette), Visconti (Bellissima) and Fellini (Le notti di Cabiria), Kelsoillustrates and explains why Deleuze sees this as such a pivotalmoment for the cinema. In turn, Deleuze s philosophy allows one tosee these films in a new light. From the perspective implied by aphilosophy of becoming, the political and social agendas ofneorealist films are not evaluated according to either their reflection ofgiven historical/social realities or retrospectivejudgements regarding the efficacy of their politics. Instead, the politicaland aesthetic import of the films is shown to be a direct consequence oftheir ability to restructure perception and to revitalize thought,even at the expense of traditional modes of cinematic enunciation. 2008. 116 S. 220 mm Versandfertig in 6-10 Tagen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, Offene Rechnung (Vorkasse vorbehalten)<

ISBN: 3639096401

[EAN: 9783639096408], Neubuch, [SC: 21.55], [PU: VDM Verlag Dr. Müller], Druck auf Anfrage Neuware - Deleuze s film philosophy takes Italian neorealism as the inaugural moment of modern c… mais…

[EAN: 9783639096408], Neubuch, [SC: 21.55], [PU: VDM Verlag Dr. Müller], Druck auf Anfrage Neuware - Deleuze s film philosophy takes Italian neorealism as the inaugural moment of modern cinema: the cinema of the time-image. Although many see neorealism as innovative in terms of its social content, Deleuze emphasizes specific qualities of the cinematic image in neorealist films. Examining four exemplary neorealist films by Rossellini (Roma città aperta), De Sica (Ladri di biciclette), Visconti (Bellissima) and Fellini (Le notti di Cabiria), Kelso illustrates and explains why Deleuze sees this as such a pivotal moment for the cinema. In turn, Deleuze s philosophy allows one to see these films in a new light. From the perspective implied by a philosophy of becoming, the political and social agendas of neorealist films are not evaluated according to either their reflection of given historical/social realities or retrospective judgements regarding the efficacy of their politics. Instead, the political and aesthetic import of the films is shown to be a direct consequence of their ability to restructure perception and to revitalize thought, even at the expense of traditional modes of cinematic enunciation. 116 pp. Englisch, Books<

ISBN: 9783639096408

Paperback, [PU: VDM Verlag Dr. Mueller E.K.], Deleuze's film philosophy takes Italian neorealism as the inaugural moment of modern cinema: the cinema of the time-image. Although many see … mais…

Paperback, [PU: VDM Verlag Dr. Mueller E.K.], Deleuze's film philosophy takes Italian neorealism as the inaugural moment of modern cinema: the cinema of the time-image. Although many see neorealism as innovative in terms of its social content, Deleuze emphasizes specific qualities of the cinematic image in neorealist films. Examining four exemplary neorealist films by Rossellini (Roma città aperta), De Sica (Ladri di biciclette), Visconti (Bellissima) and Fellini (Le notti di Cabiria), Kelso illustrates and explains why Deleuze sees this as such a pivotal moment for the cinema. In turn, Deleuze's philosophy allows one to see these films in a new light. From the perspective implied by a philosophy of becoming, the political and social agendas of neorealist films are not evaluated according to either their reflection of given historical/social realities or retrospective judgements regarding the efficacy of their politics. Instead, the political and aesthetic import of the films is shown to be a direct consequence of their ability to restructure perception and to revitalize thought, even at the expense of traditional modes of cinematic enunciation., Literacy<

ISBN: 9783639096408

Italian Dreams ab 48.99 € als Taschenbuch: Neorealism and Deleuze. Aus dem Bereich: Bücher, Wissenschaft, Philosophie, Medien > Bücher nein Buch (kartoniert) Hardcover;Geisteswissenschaft… mais…

Italian Dreams ab 48.99 € als Taschenbuch: Neorealism and Deleuze. Aus dem Bereich: Bücher, Wissenschaft, Philosophie, Medien > Bücher nein Buch (kartoniert) Hardcover;Geisteswissenschaften, Kunst, Musik;Philosophie, VDM Verlag Dr. Müller<