2014, ISBN: 9783791352916

Santa Barbara, New York, and Munich: Santa Barbara Museum of Art; DelMonico Books; Prestel, 2013. Cloth, 223 pages, illustrations (some colour); 29 cm. Published for the occasion of the o… mais…

Santa Barbara, New York, and Munich: Santa Barbara Museum of Art; DelMonico Books; Prestel, 2013. Cloth, 223 pages, illustrations (some colour); 29 cm. Published for the occasion of the opening of the exhibition "John Divola: As Far As I Could Get," on view concurrently at: Santa Barbara Museum of Art October 12, 2013 to January 12, 2014; Los Angeles County Museum of Art, October 6, 2013 to February 2, 2014; and Pomona College Museum of Art September 3 to December 22, 2013. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "Those interested in contemporary photography will welcome this volume exploring in-depth ten major series by John Divola. Starting with "Vandalism," his iconic look at Southern California in the 1970s and including his most recent series, "Theodore Street Project," this collection of beautifully reproduced images shows how expertly Divola moves between medium and technique. Using Polaroids of sculpted objects, appropriated stereographs and landscapes featuring his own image, Divola's diverse body of work explores painting and conceptual art through his photography. Essays by the accompanying exhibitions' curators explore themes such as existentialism, California and photography in the 1970s and natural and built environments. Divola's most recent project is discussed in an interview between the artist and Simon Baker." - Publisher. CONTENTS: Foreword, by Larry J. Feinberg; Being and photography, by Britt Salvesen; 20x24 Polaroids, 1987-89; Seven songbirds and a rabbit, 1995; As far as I could get, 1996-2010; Artificial nature, 2002; Zuma: the re-enchantment of photography, by Kathleen Stewart Howe; Zuma, 1977-78; California and John Divola, by Karen Sinsheimer; Vandalism, 1973-75; LAX/Noise Abatement Zone, 1975-76; Untitled, 1990; Dogs chasing my car in the desert, 1996-1998; Dark star, 2008; Interview with John Divola, by Simon Baker; The Theodore Street project, 2013.. 1st. Hardcover. Fine/Fine. 4to. Collectible., Santa Barbara Museum of Art; DelMonico Books; Prestel, 2013, 5<

2013, ISBN: 3791352911

Edição encadernada

[EAN: 9783791352916], Gebraucht, guter Zustand, [PU: Santa Barbara Museum of Art; DelMonico Books; Prestel, Santa Barbara, New York, and Munich], COLLECTIBLE, Jacket, Cloth, 223 pages, il… mais…

[EAN: 9783791352916], Gebraucht, guter Zustand, [PU: Santa Barbara Museum of Art; DelMonico Books; Prestel, Santa Barbara, New York, and Munich], COLLECTIBLE, Jacket, Cloth, 223 pages, illustrations (some colour); 29 cm. Published for the occasion of the opening of the exhibition "John Divola: As Far As I Could Get," on view concurrently at: Santa Barbara Museum of Art October 12, 2013 to January 12, 2014; Los Angeles County Museum of Art, October 6, 2013 to February 2, 2014; and Pomona College Museum of Art September 3 to December 22, 2013. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "Those interested in contemporary photography will welcome this volume exploring in-depth ten major series by John Divola. Starting with "Vandalism," his iconic look at Southern California in the 1970s and including his most recent series, "Theodore Street Project," this collection of beautifully reproduced images shows how expertly Divola moves between medium and technique. Using Polaroids of sculpted objects, appropriated stereographs and landscapes featuring his own image, Divola's diverse body of work explores painting and conceptual art through his photography. Essays by the accompanying exhibitions' curators explore themes such as existentialism, California and photography in the 1970s and natural and built environments. Divola's most recent project is discussed in an interview between the artist and Simon Baker." - Publisher. CONTENTS: Foreword, by Larry J. Feinberg; Being and photography, by Britt Salvesen; 20x24 Polaroids, 1987-89; Seven songbirds and a rabbit, 1995; As far as I could get, 1996-2010; Artificial nature, 2002; Zuma: the re-enchantment of photography, by Kathleen Stewart Howe; Zuma, 1977-78; California and John Divola, by Karen Sinsheimer; Vandalism, 1973-75; LAX/Noise Abatement Zone, 1975-76; Untitled, 1990; Dogs chasing my car in the desert, 1996-1998; Dark star, 2008; Interview with John Divola, by Simon Baker; The Theodore Street project, 2013. Size: 4to, Books<