2009, ISBN: 9788322930687

1917 . 6.-10.Tsd. Leipzig: Kurt Wolff 1917. Gr.-8°. 207 S., 32 Bl Illustrationen, Halbleinen (Einband teilweise leicht angebräunt; Papier altersbedingt leicht gebräunt; alt… mais…

1917 . 6.-10.Tsd. Leipzig: Kurt Wolff 1917. Gr.-8°. 207 S., 32 Bl Illustrationen, Halbleinen (Einband teilweise leicht angebräunt; Papier altersbedingt leicht gebräunt; altersgemäss gut erhalten), 1917, 0, Wroclaw University Press, 2009. Hardcover. Near Fine. Oversized multilingual hardcover, 606pp, 151 b&w ill in text + colour plates (pp. 545-591), NOT ex-library. Fine interior, unmarked text, free of inscriptions/stamps, firmly bound. Issued without a dust jacket. Extra postage may be required. -- Contents: - Various Perspectives: - Sculpture Material Research / Tadeusz J. Zuchowski; La Galleria Giustiniana del marchese Vincenzo Giustiniani (1564-1637): esperimento museale del collezionista romano di antichità / Zygmunt Wazbinski; (Zusammenfassung) Die Kunst, welche die Kunst verdeckt: einige Anmerkungen zum Thema der Verhüllung des Materials der Skulptur durch die Fassung; (Summary) Stone in Wroclaw Cathedral: Through the Eyes of a Petrographer; Ideal, Matter & Material: Classical Greek Sculpture in the Writings of Cyprian Norwid, Jozef Kremer and Karol Libelt / Dariusz Pniewski; - Workshop: - (Zusammenfassung) Isis den Harpokrates säugend. Eine Terrakottafigur aus der Sammlung des Ägyptischen Museums der Universität Leipzig. Über den Herstellungsprozess & die Farbigkeit einer antiken Skulptur; (Summary) Technique of Execution of the Set of 14th-century Sculptures in the Church of Our Lady in Malbork Upper Castle & Its Artistic Consequences; The idolle that stode there, in myne opynyon a very monstrous sight. On a Number of Late-Medieval Animated Figures of Crucified Christ / Kamil Kopania; Les méthodes de restauration de la statuaire médiévale en pierre pratiquées par Nicolas Bulloz / Justyna Switalska; Vom Holzklotz der Linde bis zur schönen Personifikation. Die Technik der Anfertigung hölzerner Figuren in der Werkstatt von Christian Bernhardt Schmidt / Arkadiusz Wagner; (Zusammenfassung) Elfenbein in den Werkstätten der Meister von Erbach im Odenwald vom 18. bis zum 19. Jh.; (Summary) Sculptures or Bibelots? Porcelain as Sculpture Material: On Figural Sculpture in Germany in the First Half of the 20th Century; - Hierarchies and Meanings: - Überlegungen zur Methode der Materialikonologie / Thomas Raff; Reinheit & Gefährdung. Weißer Marmor als ästhetische & ethnische Norm / Monika Wagner; The Use of Bronze in Greek Sculpture in the Sixth and Fifth Centuries BC: Aesthetics and the Hierarchy of Materials / Wojciech Brillowski; (Summary) Body of Marble, Body of Bronze, Body of Blood and Bones... "Re-presentation" of the Human Body in the Medieval Sepulchral Sculpture; Die verlorene carnosita oder Skulptur & Fossilien im Zeitalter des Paragone. Versuch einer vergleichenden Bildanalyse / Mateusz Kapustka; "Polished Alabaster of Carrara": Written Sources and the Meaning of Sculpture Material / Aleksandra Lipinska; (Summary) The Meaning of Materials Used in 19th-Century Wroclaw Monuments; (Zusammenfassung) In Terra cotta, Gyps & der bekannten und bewährten Steinmasse. Zur seriellen Herstellung kirchlicher Plastik in der 2. Hälfte des 19. & im frühen 20. Jh. sowie ihrer Bewertung in den Texten deutscher katholischer Autoren; - Baroque Multiplicity of Materials: - "Li stucchi sono bellissimi, e ricchissimi d'oro": La fortuna della decorazione in stucco a Roma in epoca tardo-barocca / Cristiano Giometti; Marble all'italiana & the 17th-Century Interiors in Central & Eastern Europe / Arkadiusz Wojtyla; (Summary) Baroque Illusion: The Role of the Material in the Design of Representative Baroque Interiors; (Summary) Use of Stone in Architecture & Sculpture in Warsaw Under the Polish-Saxon Union; - Routes of Materials: - (Summary) Between Italy & the Low Countries: Centres of Stonemasonry and Sculpture in Central Europe & the Early Modern Tradition; Shining Example of "Prussian Gold": Amber and Cross-Cultural Connections Between Italy & the Baltic in the Early Modern Period / Rachel King; Conducon monti in mar: percorsi di marmi e scultori tra le Apuane e Roma nel Seicento / Fabrizio Federici; (Summary) Marble in Sculpture of the Grand Tour Period; - Borders: - (Summary) Paradoxical Medardo Rosso; (Summary) Photography of Sculpture & Photography as a Sculpture Material (Auguste Rodin), Wroclaw University Press, 2009, 4<

2009, ISBN: 9788322930687

Wroclaw University Press, 2009. Hardcover. Near Fine. Oversized multilingual hardcover, 606pp, 151 b&w ill in text + colour plates (pp. 545-591), NOT ex-library. Fine interior, unma… mais…

Wroclaw University Press, 2009. Hardcover. Near Fine. Oversized multilingual hardcover, 606pp, 151 b&w ill in text + colour plates (pp. 545-591), NOT ex-library. Fine interior, unmarked text, free of inscriptions/stamps, firmly bound. Issued without a dust jacket. Extra postage may be required. -- Contents: - Various Perspectives: - Sculpture Material Research / Tadeusz J. Zuchowski; La Galleria Giustiniana del marchese Vincenzo Giustiniani (1564-1637): esperimento museale del collezionista romano di antichità / Zygmunt Wazbinski; (Zusammenfassung) Die Kunst, welche die Kunst verdeckt: einige Anmerkungen zum Thema der Verhüllung des Materials der Skulptur durch die Fassung; (Summary) Stone in Wroclaw Cathedral: Through the Eyes of a Petrographer; Ideal, Matter & Material: Classical Greek Sculpture in the Writings of Cyprian Norwid, Jozef Kremer and Karol Libelt / Dariusz Pniewski; - Workshop: - (Zusammenfassung) Isis den Harpokrates säugend. Eine Terrakottafigur aus der Sammlung des Ägyptischen Museums der Universität Leipzig. Über den Herstellungsprozess & die Farbigkeit einer antiken Skulptur; (Summary) Technique of Execution of the Set of 14th-century Sculptures in the Church of Our Lady in Malbork Upper Castle & Its Artistic Consequences; The idolle that stode there, in myne opynyon a very monstrous sight. On a Number of Late-Medieval Animated Figures of Crucified Christ / Kamil Kopania; Les méthodes de restauration de la statuaire médiévale en pierre pratiquées par Nicolas Bulloz / Justyna Switalska; Vom Holzklotz der Linde bis zur schönen Personifikation. Die Technik der Anfertigung hölzerner Figuren in der Werkstatt von Christian Bernhardt Schmidt / Arkadiusz Wagner; (Zusammenfassung) Elfenbein in den Werkstätten der Meister von Erbach im Odenwald vom 18. bis zum 19. Jh.; (Summary) Sculptures or Bibelots? Porcelain as Sculpture Material: On Figural Sculpture in Germany in the First Half of the 20th Century; - Hierarchies and Meanings: - Überlegungen zur Methode der Materialikonologie / Thomas Raff; Reinheit & Gefährdung. Weißer Marmor als ästhetische & ethnische Norm / Monika Wagner; The Use of Bronze in Greek Sculpture in the Sixth and Fifth Centuries BC: Aesthetics and the Hierarchy of Materials / Wojciech Brillowski; (Summary) Body of Marble, Body of Bronze, Body of Blood and Bones... "Re-presentation" of the Human Body in the Medieval Sepulchral Sculpture; Die verlorene carnosita oder Skulptur & Fossilien im Zeitalter des Paragone. Versuch einer vergleichenden Bildanalyse / Mateusz Kapustka; "Polished Alabaster of Carrara": Written Sources and the Meaning of Sculpture Material / Aleksandra Lipinska; (Summary) The Meaning of Materials Used in 19th-Century Wroclaw Monuments; (Zusammenfassung) In Terra cotta, Gyps & der bekannten und bewährten Steinmasse. Zur seriellen Herstellung kirchlicher Plastik in der 2. Hälfte des 19. & im frühen 20. Jh. sowie ihrer Bewertung in den Texten deutscher katholischer Autoren; - Baroque Multiplicity of Materials: - "Li stucchi sono bellissimi, e ricchissimi d'oro": La fortuna della decorazione in stucco a Roma in epoca tardo-barocca / Cristiano Giometti; Marble all'italiana & the 17th-Century Interiors in Central & Eastern Europe / Arkadiusz Wojtyla; (Summary) Baroque Illusion: The Role of the Material in the Design of Representative Baroque Interiors; (Summary) Use of Stone in Architecture & Sculpture in Warsaw Under the Polish-Saxon Union; - Routes of Materials: - (Summary) Between Italy & the Low Countries: Centres of Stonemasonry and Sculpture in Central Europe & the Early Modern Tradition; Shining Example of "Prussian Gold": Amber and Cross-Cultural Connections Between Italy & the Baltic in the Early Modern Period / Rachel King; Conducon monti in mar: percorsi di marmi e scultori tra le Apuane e Roma nel Seicento / Fabrizio Federici; (Summary) Marble in Sculpture of the Grand Tour Period; - Borders: - (Summary) Paradoxical Medardo Rosso; (Summary) Photography of Sculpture & Photography as a Sculpture Material (Auguste Rodin), Wroclaw University Press, 2009, 4<

2009, ISBN: 8322930682

[EAN: 9788322930687], Near Fine, [PU: Wroclaw University Press], 16TH CENTURY, 17TH ITALY, MUSEUM, THEME, CONCEALMENT, OBSCURING, ICONOLOGY, 6TH, 5TH, ANCIENT ART, ANTIQUITY, TECHNOLOGY, … mais…

[EAN: 9788322930687], Near Fine, [PU: Wroclaw University Press], 16TH CENTURY, 17TH ITALY, MUSEUM, THEME, CONCEALMENT, OBSCURING, ICONOLOGY, 6TH, 5TH, ANCIENT ART, ANTIQUITY, TECHNOLOGY, Art|General, Art|Techniques|Sculpting, Art|History|General, Art|Sculpture, Art|Criticism, Oversized multilingual hardcover, 606 pages, 151 b&w images in text + colour plates (pp 545-591), NOT ex-library. Mild handling wear, else fine, free of inscriptions/stamps, firmly bound. Issued without a dust jacket. Heavy book so extra postage will be required. -- Contents: - Various Perspectives: - Sculpture Material Research / T.J. Zuchowski; La Galleria Giustiniana del marchese Vincenzo Giustiniani (1564-1637): esperimento museale del collezionista romano di antichità / Z. Wazbinski; (Zusammenfassung) Die Kunst, welche die Kunst verdeckt: einige Anmerkungen zum Thema der Verhüllung des Materials der Skulptur durch die Fassung; (Summary) Stone in Wroclaw Cathedral: Through the Eyes of a Petrographer; Ideal, Matter & Material: Classical Greek Sculpture in the Writings of Cyprian Norwid, Jozef Kremer and Karol Libelt / D. Pniewski; - Workshop: - (Zusammenfassung) Isis den Harpokrates säugend. Eine Terrakottafigur aus der Sammlung des Ägyptischen Museums der Universität Leipzig. Über den Herstellungsprozess & die Farbigkeit einer antiken Skulptur; (Summary) Technique of Execution of the Set of 14th-century Sculptures in the Church of Our Lady in Malbork Upper Castle & Its Artistic Consequences; The idolle that stode there, in myne opynyon a very monstrous sight. On a Number of Late-Medieval Animated Figures of Crucified Christ / Kamil Kopania; Les méthodes de restauration de la statuaire médiévale en pierre pratiquées par Nicolas Bulloz / Justyna Switalska; Vom Holzklotz der Linde bis zur schönen Personifikation. Die Technik der Anfertigung hölzerner Figuren in der Werkstatt von Christian Bernhardt Schmidt / Arkadiusz Wagner; (Zusammenfassung) Elfenbein in den Werkstätten der Meister von Erbach im Odenwald vom 18. bis zum 19. Jh.; (Summary) Sculptures or Bibelots? Porcelain as Sculpture Material: On Figural Sculpture in Germany in the First Half of the 20th Century; - Hierarchies and Meanings: - Überlegungen zur Methode der Materialikonologie / Thomas Raff; Reinheit & Gefährdung. Weißer Marmor als ästhetische & ethnische Norm / Monika Wagner; The Use of Bronze in Greek Sculpture in the Sixth and Fifth Centuries BC: Aesthetics and the Hierarchy of Materials / Wojciech Brillowski; (Summary) Body of Marble, Body of Bronze, Body of Blood and Bones. "Re-presentation" of the Human Body in the Medieval Sepulchral Sculpture; Die verlorene carnosita oder Skulptur & Fossilien im Zeitalter des Paragone. Versuch einer vergleichenden Bildanalyse / Mateusz Kapustka; "Polished Alabaster of Carrara": Written Sources and the Meaning of Sculpture Material / Aleksandra Lipinska; (Summary) The Meaning of Materials Used in 19th-Century Wroclaw Monuments; (Zusammenfassung) In Terra cotta, Gyps & der bekannten und bewährten Steinmasse. Zur seriellen Herstellung kirchlicher Plastik in der 2. Hälfte des 19. & im frühen 20. Jh. sowie ihrer Bewertung in den Texten deutscher katholischer Autoren; - Baroque Multiplicity of Materials: - "Li stucchi sono bellissimi, e ricchissimi d'oro": La fortuna della decorazione in stucco a Roma in epoca tardo-barocca / Cristiano Giometti; Marble all'italiana & the 17th-Century Interiors in Central & Eastern Europe / Arkadiusz Wojtyla; (Summary) Baroque Illusion: The Role of the Material in the Design of Representative Baroque Interiors; (Summary) Use of Stone in Architecture & Sculpture in Warsaw Under the Polish-Saxon Union; - Routes of Materials: - (Summary) Between Italy & the Low Countries: Centres of Stonemasonry and Sculpture in Central Europe & the Early Modern Tradition; Shining Example of "Prussian Gold": Amber and Cross-Cultural Connections Between Italy & the Baltic in the Early Modern Period / Rachel King; Conducon monti in mar: percorsi di marmi e scultori tra le Apuane e Roma nel Seicento / Fabrizio Federici; (Summary) Marble in Sculpture of the Grand Tour Period; - Borders: - (Summary) Paradoxical Medardo Rosso; (Summary) Photography of Sculpture & Photography as a Sculpture Material (Auguste Rodin), Books<