2002, ISBN: 9780868615240

Santa Monica: Ritter/Geller Communications, 1984. Calendar. [16p] includes covers, 8x10.75 inches, full-color, full-frontal nude male photos, very good second edition wall calendar in st… mais…

Santa Monica: Ritter/Geller Communications, 1984. Calendar. [16p] includes covers, 8x10.75 inches, full-color, full-frontal nude male photos, very good second edition wall calendar in stapled pictorial wraps., Ritter/Geller Communications, 1984, 0, no place: no publisher, no date. Magazine. [24p] includes covers, 5.25x8.5 inches, digest-size magazine of nothing but b&w physique-style full-frontal male nude photos, soiled & worn in stapled pictorial wraps with price stickers on cover. Looks to be 1960-70s., no publisher, 0, Los Angeles: Liberation Pub, 1987. Calendar. [28p] includes covers, 8.5x11 inches, very good 12 month wall calendar illustrated with full-color, full-frontal nude male photographs, stapled pictorial covers., Liberation Pub, 1987, 0, New York: Mandate (prev. Modernismo), 1987. Magazine. 98p., including covers, 8.5x11 inches, illustrated with b&w & color full-frontal physique photos as well as entertainers and performers, lightly-worn magazine in stapled pictorial wraps., Mandate (prev. Modernismo), 1987, 0, New York: Modernismo, 1979. Magazine. 70p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, centerfold poster detached but present, else very good magazine in stapled pictorial wraps. Interviews with author Andrew Holleran, singer D.C. LaRue, and female impersonator Craig Russell., Modernismo, 1979, 0, New York: Mandate, 1986. Magazine. 96p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps lightly worn, 0.75 inch closed tear on front wrap, else very good magazine in stapled pictorial wraps. Articles on Yukio Mishima, Barbara Streisand, Edmund White, media portrayals of AIDS, and more., Mandate, 1986, 0, New York: Mandate (prev. Modernismo), 1987. Magazine. 93p., 8.5x11 inches, illustrated with b&w & color full-frontal nude photos as well as entertainers and performers, light wear, else very good magazine in stapled pictorial wraps., Mandate (prev. Modernismo), 1987, 0, New York: Mandate (prev. Modernismo), 1987. Magazine. 93p., 8.5x11 inches, illustrated with b&w & color full-frontal nude photos as well as entertainers and performers, spine rolled, else very good magazine in stapled pictorial wraps., Mandate (prev. Modernismo), 1987, 0, New York: Mandate, 1986. Magazine. 92p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps lightly worn, else very good magazine in stapled pictorial wraps. Interview with gossip columnist Liz Smith., Mandate, 1986, 0, Los Angeles: AMG: Athletic Model Guild, 1991. Magazine. 32p. 5.25x8.25 inches, illustrated with b&w explicit and graphic full-frontal photos of the models with catalog numbers relating to available VHS and Beta video tapes as well as cover and inner cover stills from the wrestling videos, very good booklet in stapled pictorial wraps., AMG: Athletic Model Guild, 1991, 0, New York: Mandate, 1986. Magazine. 92p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps lightly worn, else very good magazine in stapled pictorial wraps., Mandate, 1986, 0, Los Angeles: Athletic Model Guild, 1974. Magazine. 32p. including covers, 5.5x8.5 inches, illustrated with b&w reproductions of artworks and explicit b&w photos by various artists, very good digest-size magazine in stapled pictorial wraps. Full-frontal nude Leatherman and Bike cover. Tom of Finland centerfold. Bob Mizer was the editor, publisher and primary photographer of the digest men's magazine. If one looks very closely between and below the b&w photos of bodybuilders in posing pouches one will find commentary on the art, the models, gay rights, law, religion and more by Mizer., Athletic Model Guild, 1974, 0, New York: Modernismo, 1982. Magazine. 80p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps lightly worn, else very good magazine in stapled pictorial wraps. Articles on Harvey Fierstein's Torch Song Trilogy, cocaine, and more., Modernismo, 1982, 0, New York: Mandate, 1986. Magazine. 86p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps lightly worn, dampstain on one page, else very good magazine in stapled pictorial wraps., Mandate, 1986, 0, New York: Mandate, 1986. Magazine. 93p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps worn, many pages dog-eared, else very good magazine in stapled pictorial wraps. Includes an article on the Gay Games., Mandate, 1986, 0, New York: Mandate, 1986. Magazine. 92p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps lightly worn, else very good magazine in stapled pictorial wraps. Interview with Larry Kramer and Richard Dreyfuss., Mandate, 1986, 0, New York: Mandate, 1986. Magazine. 93p., including covers, 8.5x11 inches, illustrated with b&w full-frontal physique photos as well as entertainers and performers, wraps lightly worn, else very good magazine in stapled pictorial wraps. Interview with Christine Jorgenson and Charles Pierce., Mandate, 1986, 0, New York: Mandate (prev. Modernismo), 1987. Magazine. 98p., including covers, 8.5x11 inches, illustrated with b&w & color full-frontal physique photos as well as entertainers and performers, lightly-worn magazine in stapled pictorial wraps. Gay Games II in San Francisco. AIDS., Mandate (prev. Modernismo), 1987, 0, New York: Mandate (prev. Modernismo), 1987. Magazine. 98p., including covers, 8.5x11 inches, illustrated with b&w & color full-frontal nude photos as well as entertainers and performers, lightly worn magazine in stapled pictorial wraps., Mandate (prev. Modernismo), 1987, 0, New York: Mandate (prev. Modernismo), 1987. Magazine. 96p., 8.5x11 inches, illustrated with b&w & color full-frontal nude photos as well as entertainers and performers, lightly worn magazine in stapled pictorial wraps., Mandate (prev. Modernismo), 1987, 0, London: Wigginton & Butcher, 2002. A photographic study of the black male nude, 134 pages mostly of full page photographs many full frontal, not pornographic but certainly erotic.Short introductory text,book and wrapper are in extremely bright, clean condition nearing fine SEE IMAGES. DETAILED IMAGES AVAILABLE ON REQUEST.. First Edition First Printing. Boards. Very Good/Very Good. Illus. by Tony Butcher. 11½ x 10 Inches. Hardcover., Wigginton & Butcher, 2002, 3, Aperture, 1984. Hardcover in Dustjacket. Near Fine. Damaged dustjacket.. "Published just after her untimely death in 1971, this book--whether or not aided by the artist's notoriety--has achieved massive sales for a volume of such uncompromising photographs. Edited by Doon Arbus and Marvin Israel, its titled implies a mere trawl through her best-known images. It is that, but it also a brilliant exposé of American life. ... While it is true that she often photographed those outside society's norms, a more pertinent observation is that if she made 'normals' look like 'freaks', she also made 'freaks' look like 'normals'. Furthermore, her exploration of normalcy was complicated by gender issues. In her aggressive, full frontal 'exploitation' of her subjects, Arbus appropriated an essentially male convention: that of staring. Indeed, it may well be her assumption of this prerogative of masculine domination that has attracted much of the negative comment, compounded by her undercutting of gender stereotypes. She was a great feminist photographer. Her women and girls are invariably strong--like the confident twins [on the cover of the book]--and her men are frequently damaged or uncomfortable in their surroundings.""pp. 161 #0821 FINE in DAMAGED DUST-JACKET. PHOTOGRAPHY Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA. (Please note: Over standard weight or size. Orders via ABE Books or Biblio or from Overseas may incur additional postage charges. We will contact you prior to processing order to request your approval or contact us to confirm postage cost.) Hardcover in Dustjacket Near Fine. Damaged dustjacket., Aperture, 1984, 4<

1984, ISBN: 0868615242

Edição encadernada

[ED: Hardcover/gebunden], [PU: George Allen and Unwin Ltd. in association with Aperture], First edition, first printing. Photographically illustrated laminated paper-covered boards, with … mais…

[ED: Hardcover/gebunden], [PU: George Allen and Unwin Ltd. in association with Aperture], First edition, first printing. Photographically illustrated laminated paper-covered boards, with photographically illustrated dust jacket. Photographs and text by Diane Arbus. With an essay by Thomas W. Southall. Edited by Doon Arbus and Marvin Israel. Hardcover with original foto-illustrated dust jacket: both like new. Near Fine dust jacket (minor wear at extremities, otherwise Tight, bright, attractive copy with no markings to the book). 176 pp. with numerous b/w plates and reference illustrations. Includes a chronological record of Arbus' magazine work. 11 1/4 x 9 1/2 inches. Zur Fotokünstlerin: Diane Arbus (geboren 14. März 1923 in New York; gestorben 26. Juli 1971 in Greenwich, New York) war eine US-amerikanische Fotografin und Fotojournalistin russisch-jüdischer Abstammung. Arbus wurde vornehmlich durch ihre Fotoreportagen für namhafte US-Magazine bekannt sowie für ihre teils einfühlsamen, teils schonungslosen Porträts von Exzentrikern und Randfiguren der Gesellschaft, wie beispielsweise von Armen, Nudisten, Transvestiten oder fehlgebildeten und geistig behinderten Personen, die sie sowohl in Sideshows wie im Alltagsleben fand. In ihrem Werk stellte Arbus vorurteilsfrei die Grenzen von Normalität und Ästhetik der Gesellschaft in Frage, womit sie die künstlerische Fotografie um einen psychologischen Aspekt erweiterte. Fernkurs "Professionelle Fotografie" - jetzt Infos gratis! Diane Arbus war die erste amerikanische Fotografin, deren Arbeit bei der Biennale in Venedig ausgestellt wurde (1972). Ihre Monographie Aperture Monograph ist eines der meistverkauften Bücher der Fotografiegeschichte. Nach ihrem Suizid (1971) wurde ihre Arbeit in einer bedeutenden MoMA-Retrospektive gezeigt., DE, [SC: 4.50], wie neu, gewerbliches Angebot, 29 x 24,5 x 2,2 cm, 176 pp., [GW: 1290g], [PU: New York], 1. Auflage / First edition, Banküberweisung, Selbstabholung und Barzahlung, Internationaler Versand, [CT: Design/Künste/Film / Fotografie, Sport und Hobby / Fotografie]<

1984, ISBN: 0868615242

[EAN: 9780868615240], Near Fine, [PU: Aperture], ART & DESIGN VISUAL ARTS CRAFT PHOTOGRAPHY, Art|General, Jacket, "Published just after her untimely death in 1971, this book--whether or n… mais…

[EAN: 9780868615240], Near Fine, [PU: Aperture], ART & DESIGN VISUAL ARTS CRAFT PHOTOGRAPHY, Art|General, Jacket, "Published just after her untimely death in 1971, this book--whether or not aided by the artist's notoriety--has achieved massive sales for a volume of such uncompromising photographs. Edited by Doon Arbus and Marvin Israel, its titled implies a mere trawl through her best-known images. It is that, but it also a brilliant exposà of American life. . While it is true that she often photographed those outside society's norms, a more pertinent observation is that if she made 'normals' look like 'freaks', she also made 'freaks' look like 'normals'. Furthermore, her exploration of normalcy was complicated by gender issues. In her aggressive, full frontal 'exploitation' of her subjects, Arbus appropriated an essentially male convention: that of staring. Indeed, it may well be her assumption of this prerogative of masculine domination that has attracted much of the negative comment, compounded by her undercutting of gender stereotypes. She was a great feminist photographer. Her women and girls are invariably strong--like the confident twins [on the cover of the book]--and her men are frequently damaged or uncomfortable in their surroundings."pp. 161 #0821 FINE in DAMAGED DUST-JACKET. PHOTOGRAPHY Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\\, Fremantle WA. (Please note: Over standard weight or size. Orders via ABE Books or Biblio or from Overseas may incur additional postage charges. We will contact you prior to processing order to request your approval or contact us to confirm postage cost.), Books<