2000, ISBN: 9780900946820

Livro de bolso, Edição encadernada

New York, New York, U.S.A. : Pegasus Crime, 2017. 1st Edition 1st Printing. Hardcover. Fine/Fine. 8vo - over 7¾ - 9¾" tall. Paris in 1921 is the city of freedom, wher… mais…

New York, New York, U.S.A. : Pegasus Crime, 2017. 1st Edition 1st Printing. Hardcover. Fine/Fine. 8vo - over 7¾ - 9¾" tall. Paris in 1921 is the city of freedom, where hatless and footloose Kiki Button can drink champagne and dance until dawn. She works as a gossip columnist, partying with the rich and famous, the bohemian and strange, using every moment to create a new woman from the ashes of her war-worn self. While on the modelling dais, Picasso gives her a job: to find his wife's portrait, which has gone mysteriously missing. That same night, her spymaster from the war contacts her-she has to find a double agent or face jail. Through parties, whisky, and seductive informants, Kiki uses her knowledge of Paris from the Great War to connect the clues. Set over the course of one springtime week, APRIL IN PARIS, 1921 is a mystery that combines artistic gossip with interwar political history through witty banter, steamy scenes, and fast action. This is award-winning Australian writer Tessa Lunney's debut novel, Fine, first edition, first printing, in fine, mylar-protected dust jacket. {Not remainder-marked or price-clipped} M131, Pegasus Crime, 2017, 5, Paperback / softback. New. <b>Packed with professional tips and interviews with leading graphic novelists, this is the ultimate guide on how to create a graphic novel.</b> <br /> <br /> <i>How to Draw a Graphic Novel</i> is structured as a series of short art courses that combine technical advice with creative inspiration. Written by graphic novel producer Balthazar Pagani, the book includes lessons in how to construct a narrative, develop characters, design settings, as well as the basics of printing, binding and digital file set-up. <br /> <br /> Each lesson is supported by striking illustrations by graphic novel artist Marco Maraggi, and professional artworking tips are delivered in the style of a graphic novel by renowned Italian cartoonist and comics lecturer Otto Gabos. The book also includes biographies of and interviews with cult creators who share insights into their working process as well as work from their sketchbooks. <br /> <br /> Featuring reproductions and a recommended reading list of famous graphic novels and comic books past and present, this is the ideal workbook for all aspiring graphic novelists., 6, London, Royal Academy Of Arts 2000. Fine. Paperback. 0900946822 . First edition heavy quarto 448 pages profusely illustrated with colour plates. Fine folded card covers, no inscriptions or marks, an excellent copy. "A century ago, art was at a crossroads. Painters such as Sargent, Whistler, Homer, and Rouault were widely acclaimed. Cezanne, Degas, Gauguin, Toulouse-Lautrec, Rodin, Munch, Klimt, and other modern masters were in their prime. And the revolutionaries who would go on to change the course of Western art -- Picasso, Matisse, Mondrian, Kandinsky, and Nolde, among others -- were just getting started. This book, the companion volume to a major international exhibition, provides an eye-opening look at what these and other artists were creating in this watershed year. Organized by subject -- from bathers, femmes fatales, and self-portraits to rural scenes, religion, and social comment -- and featuring more than 300 colorplates, the book presents both famous and less well-known works. By including a wide range of paintings and sculptures executed at roughly the same time, Robert Rosenblum and MaryAnne Stevens illuminate the cultural crosscurrents that were reshaping Western art -- including nationalism, psychology, and technology -- and help us see familiar masterworks with a fresh eye. ., London, Royal Academy Of Arts 2000, 5<

2000, ISBN: 9780900946820

London, Royal Academy Of Arts 2000. Fine. Paperback. 0900946822 . First edition heavy quarto 448 pages profusely illustrated with colour plates. Fine folded card covers, no inscriptions … mais…

London, Royal Academy Of Arts 2000. Fine. Paperback. 0900946822 . First edition heavy quarto 448 pages profusely illustrated with colour plates. Fine folded card covers, no inscriptions or marks, an excellent copy. "A century ago, art was at a crossroads. Painters such as Sargent, Whistler, Homer, and Rouault were widely acclaimed. Cezanne, Degas, Gauguin, Toulouse-Lautrec, Rodin, Munch, Klimt, and other modern masters were in their prime. And the revolutionaries who would go on to change the course of Western art -- Picasso, Matisse, Mondrian, Kandinsky, and Nolde, among others -- were just getting started. This book, the companion volume to a major international exhibition, provides an eye-opening look at what these and other artists were creating in this watershed year. Organized by subject -- from bathers, femmes fatales, and self-portraits to rural scenes, religion, and social comment -- and featuring more than 300 colorplates, the book presents both famous and less well-known works. By including a wide range of paintings and sculptures executed at roughly the same time, Robert Rosenblum and MaryAnne Stevens illuminate the cultural crosscurrents that were reshaping Western art -- including nationalism, psychology, and technology -- and help us see familiar masterworks with a fresh eye. ., London, Royal Academy Of Arts 2000, 5<

2000, ISBN: 0900946822

[EAN: 9780900946820], Gebraucht, sehr guter Zustand, [SC: 5.78], [PU: Royal Academy of Arts], 2000-01-01. Royal Academy of Arts. Softback. VERY GOOD, Books

2000, ISBN: 0900946822

[EAN: 9780900946820], Gebraucht, guter Zustand, [SC: 4.61], [PU: Royal Academy of Arts], Most items will be dispatched the same or the next working day., Books