2017, ISBN: 9780195199338

Edição encadernada

Arcadia Press. Very Good-. 2017. Softcover. 1547163828 . Front cover has bending to the outer edge. ; Originally published in 1922.; 11.0 X 8.5 X 0.6 inches; 238 pages ., Arcadia Press, … mais…

Arcadia Press. Very Good-. 2017. Softcover. 1547163828 . Front cover has bending to the outer edge. ; Originally published in 1922.; 11.0 X 8.5 X 0.6 inches; 238 pages ., Arcadia Press, 2017, 3, Macmillan, 1929. Hardcover. Fair Condition/No Dust Jacket. Illustrator: . 861 pages, revised edition, 1929 printing. Ex-library with typical marks, some wear and a few stains; pages toned, some wrinkling but a decent reading copy of an old book. Contents include Medieval and Early Modern Backgrounds; Agriculture, Industry, and Trade from the Napoleonic Wars to the World War; Labour Legislation and Organisation to 1914; Socialism and Social Insurance to 1914; The World War and Its Aftermath. Illustrator: . Quantity Available: 1. Category: Economics; Inventory No: 177951. ., Macmillan, 1929, 2, Clarendon Press, Oxford, 1923. Hardcover. Good Condition/No Dust Jacket. Illustrator: . 274 pages. Ex-library with typical marks, some wear; pages tanned; cracked rear hinge but a good book. Contents include Mining Trade Unionism Before the War; From the Outbreak of War to the Assumption of State Control; The Mines Under State Control in War Time; The Miners' Programme; The Coal Commission; The Nationalization Struggle; Wages and Prices 1920-The Mining Industry Act; The Mining Strike of 1920; The STruggle of 1921. Illustrator: . Quantity Available: 1. Category: Economics; Inventory No: 178134. ., Clarendon Press, 1923, 2.5, New York and Toronto: Oxford University Press; World of Art Ser., 1972. 215 pages, illustrations (some colour); 21 cm. Reprint 1979. Tight, clean copy. Age toning. Profusely illustrated. "'I know for my own part that I have no programme, only the inexplicable longing to grasp what I see and feel, and to find for it the purest expression.' The words of German Expressionist Karl Schmidt-Rottluff, co-founder of the 'Br cke' movement in Dresden, convey the essence of the revolutionary movement in the arts which overthrew the stifling academicism of Kaiser Wilhelm's Germany and led in the years between 1900 and 1914 to an amazing upsurge of creative activity. The story of this decisive and immensely rich contribution to the history of twentieth-century art is told here largely in the vivid and intensely revealing words of the artists themselves." - Publisher. CONTENTS: Origins; Dresden; Munich; Berlin, Vienna, the Rhineland; After the war.. Paperback. Very Good. 8vo., Oxford University Press; World of Art Ser., 1972, 3<

1979, ISBN: 9780195199338

New York and Toronto: Oxford University Press; World of Art Ser., 1972. 215 pages, illustrations (some colour); 21 cm. Reprint 1979. Tight, clean copy. Age toning. Profusely illustrated. … mais…

New York and Toronto: Oxford University Press; World of Art Ser., 1972. 215 pages, illustrations (some colour); 21 cm. Reprint 1979. Tight, clean copy. Age toning. Profusely illustrated. "'I know for my own part that I have no programme, only the inexplicable longing to grasp what I see and feel, and to find for it the purest expression.' The words of German Expressionist Karl Schmidt-Rottluff, co-founder of the 'Brücke' movement in Dresden, convey the essence of the revolutionary movement in the arts which overthrew the stifling academicism of Kaiser Wilhelm's Germany and led in the years between 1900 and 1914 to an amazing upsurge of creative activity. The story of this decisive and immensely rich contribution to the history of twentieth-century art is told here largely in the vivid and intensely revealing words of the artists themselves." - Publisher. CONTENTS: Origins; Dresden; Munich; Berlin, Vienna, the Rhineland; After the war.. Paperback. Very Good. 8vo., Oxford University Press; World of Art Ser., 1972, 3<

1979, ISBN: 9780195199338

New York and Toronto: Oxford University Press; World of Art Ser., 1972. 215 pages, illustrations (some colour); 21 cm. Reprint 1979. Tight, clean copy. Age toning. Profusely illustrated. … mais…

New York and Toronto: Oxford University Press; World of Art Ser., 1972. 215 pages, illustrations (some colour); 21 cm. Reprint 1979. Tight, clean copy. Age toning. Profusely illustrated. "'I know for my own part that I have no programme, only the inexplicable longing to grasp what I see and feel, and to find for it the purest expression.' The words of German Expressionist Karl Schmidt-Rottluff, co-founder of the 'Br cke' movement in Dresden, convey the essence of the revolutionary movement in the arts which overthrew the stifling academicism of Kaiser Wilhelm's Germany and led in the years between 1900 and 1914 to an amazing upsurge of creative activity. The story of this decisive and immensely rich contribution to the history of twentieth-century art is told here largely in the vivid and intensely revealing words of the artists themselves." - Publisher. CONTENTS: Origins; Dresden; Munich; Berlin, Vienna, the Rhineland; After the war.. Paperback. Very Good. 8vo., Oxford University Press; World of Art Ser., 1972, 3<