ISBN: 9780289702277

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Niyogi Books. Hardcover. NEW. Title: Exploring Androgyny and the Fluidity of Gender in Indian Culture Introduction: Androgyny and the sensibility of the feminine, known as "nari bhav,"… mais…

Niyogi Books. Hardcover. NEW. Title: Exploring Androgyny and the Fluidity of Gender in Indian Culture Introduction: Androgyny and the sensibility of the feminine, known as "nari bhav," have become compelling subjects of discussion and research in contemporary times. This article aims to delve into the concept of androgyny beyond narrow anatomical definitions that confine it within the realm of the "third sex" or "third gender." Drawing inspiration from various literary and artistic traditions in India, we explore the deeply rooted cultural belief in the fluid interplay between the female and male aspects of identity. Understanding Nari Bhav: In India, the concept of "nari bhav" represents the interdependence of art and society. It symbolizes the harmonious coexistence of the feminine and masculine, exemplified by Ardhanariswara, the deity who personifies both genders. This belief in the constant interplay of duality to foster balance and harmony extends beyond the social realm and pervades individuals' personal lives. Recognizing the presence of both male and female tendencies within each person, be it physiological or emotional-psychological, adds an aesthetic validity to the art form of female impersonation in India. Promoting Inclusivity: The perception of androgyny and its associated beliefs urge society to foster inclusiveness and acceptance of diverse sexualities and gender expressions. By acknowledging the existence of multiple gender identities and fluid concepts of masculinity and femininity, we can create a more equitable and understanding society. Embracing different sexualities and ways of expressing gender becomes essential for promoting genuine inclusivity. Intersection of Androgyny in Artistic Mediums: This volume explores how the concepts of androgyny penetrate Indian cultural ethos and find expression not only in religion, theater, and dance but also in contemporary performative mediums, including films, television, and the internet. Female impersonation, as an art form, enables performers to embody diverse gender identities and portray the intricate interplay of femininity and masculinity through their roles on stage and screen. Preserving Dying Art Forms: Additionally, this volume presents exclusive interactions with performers of the declining art form of female impersonation. As a testament to the rich cultural heritage of India, these conversations shed light on the challenges faced by artists and their invaluable contributions to our understanding of androgyny, gender, and artistic expression. By capturing their stories, we hope to instill a renewed appreciation for these art forms and preserve them for future generations. Conclusion: The exploration of androgyny and the concept of "nari bhav" represents a powerful way of challenging societal norms and assumptions about gender. By recognizing and accepting the fluidity of gender identities and celebrating diverse expressions of femininity and masculinity, we pave the way for a more inclusive and harmonious society. Through artistic mediums such as theater, dance, film, and television, we can engage in meaningful conversations that promote understanding and appreciation of androgyny as an integral part of Indian cultural heritage., Niyogi Books, 6, London: Studio Vista, 1972. 1st Edition. Hardcover. Near fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 144 pages: ill. ; 26 cm. Contents: Reading structures: from Hogarth to Rowlandson -- The comedy of contrasting shapes -- The ugly and the beautiful -- Borderline states of being -- Contexts: the picturesque, the grotesque, and comparative anatomy -- Youth and age: the romantic triangle -- People looking at things -- The dance of death. Subjects: Rowlandson, Thomas 1756-1827. Rowlandson, Thomas 1756-1827 Criticism and interpretation. Rowlandson, Thomas 1756-1827 Themes, motives. Artists; Drawings. Eighteenth century. Caricatures and cartoons Great Britain. Watercolourists, British 18th century. Watercolourists, British 19th century. Painting, British 18th century. Painting, British 19th century. Genre: Illustrated., London: Studio Vista, 1972, 0<